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Pre-order,Two-Dimensional Sonata Form: Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg and Zemlinsky

  • Author: Moortele, Steven Vande

Book

$45.75

Due for release on 13th Jun 2024

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Contents

  • Acknowledgements
  • Introduction
  • Chapter 1 Two-Dimensional Sonata Form: A terminological and conceptual framework Levels of form Analogies between levels Projection of hierarchies Identification, interpolation, and exocyclic units Integration, process, and tension Further terminological
  • Chapter 2 Liszt’s B-minor Sonata The locus romanticus of two-dimensional sonata form The exposition of the overarching sonata form Identification: first movement and exposition Interpolation: the slow movement Identification: scherzo–finale and recapitul
  • Chapter 3 Liszt: Tasso and Die Ideale Two-dimensional sonata form in the second half of the nineteenth century Form in Liszt’s symphonic poems Tasso: Lamento e trionfo (1847–54) Die Ideale (1856–57) Notes
  • Chapter 4 Strauss: Don Juan and Ein Heldenleben Strauss and Liszt Don Juan Op. 20 (1888–89) Ein Heldenleben Op. 40 (1897–98) Notes
  • Chapter 5 Schoenberg’s Pelleas und Melisande Before Pelleas Pelleas und Melisande Op. 5 (1902–03) Notes
  • Chapter 6 Schoenberg’s First String Quartet From program to absolute music Issues of form in the overarching sonata form Identification Interpolation and integration Overall form and tonal plan Notes
  • Chapter 7 Schoenberg’s First Chamber Symphony Overview Identification Interpolation Recapitulation, coda, and finale Notes
  • Chapter 8 Zemlinsky’s Second String Quartet First approach Identification Interpolation Notes
  • Conclusion The significance of two-dimensional sonata form
  • Appendix Measure-Number Tables
  • Bibliography
  • Index of Names and Works