New,The Routledge Companion to Music and Modern Literature

Contents

• PART IQuestioning the Universal
• 1. The Universal: Now You See It, Now You Don’t
• Peter Dayan
• 2. Music, Literature, and the Aesthetics of Eugenics
• Ryan Weber
• 3. ‘That is the music which makes men mad’: Hungarian Nervous Music in Fin-de-Siècle Gay Literature
• Zsolt Bojti
• 4. Music and Gender Roles in Hector Berlioz’s Euphonia and George Sand’s Le Dernier Amour
• Nina Rolland
• 5. Re-writing Music Lyrics as Resistant Poetry in Tyehima Jess’s Olio and Morgan Parker’s There Are More Beautiful Things Than Beyoncé
• Alexandra Reznik
• 6. On Themes and Variations: Music and Literature in Poststructuralism
• Sarah Hickmott
• 7. Towards Spirit: Samuel Beckett’s Phenomenology of Music
• Helen Bailey
• 8. Music in Postcolonial Literature
• Christin Hoene
• PART IIOpera and Literature
• 9. Modern Fiction and Opera: Representing Interiority
• Linda Hutcheon and Michael Hutcheon
• 10. Trouble in Paradise: Colette’s Claudine s’en va (1903) and the Problem of Writing about Wagner
• Adeline Heck
• 11. Pushkin in the Language of Exile: Arthur Lourier’s The Feast During the Plague
• Klára Móricz
• 12. Dialogues with Pushkin: From Tchaikovsky to Stravinsky and The Rake’s Progress
• Philip Ross Bullock
• 13. Of Sailors and Divas: Jean Cocteau’s and Francis Poulenc’s La Voix humaine
• Steven Huebner
• 14. Another Turn of the Screw: Enigma in Benjamin Britten and Henry James
• Lawrence Kramer
• 15. ‘Tenderness of an England Long Past’: Opera, Elegy, and the Music of Alan Hollinghurst
• Irene Morra
• PART IIIMusical Form, Literary Form
• 16. Forming Time: Music, Literature, and Modernity
• Jessie Fillerup
• 17. Formal Innovations and The Idea of Music in French Poetry, 1850-1900
• David Evans
• 18. Music and the Illusions of Form
• Peter Nelson
• 19. Setting Music to Music: Mallarmé, Boulez, and the Transformation of Thought
• Joanna Spangenberg
• 20. Music Without Music – Kurt Schwitters’s Ursonate
• Gwendolen Webster
• 21. Form and Music in Modern Chinese Poetry
• He Qianwei
• 22. Variation Form in Virginia Woolf’s Fiction and Nonfiction
• Elicia Clements
• 23. Sound and Sense Interwoven: Aldous Huxley’s Music of Ideas
• Akos Farkas and Gabor Bodnar
• 24. Music as Content, Form, and Metaphor in Hermann Hesse’s Castalian Utopia
• Siglind Bruhn
• 25. Coherence and Counterpoint: Music in the Modern Short Story
• Thomas Gurke
• 26. The Muses of Noigandres: Music and Form in Brazilian Concrete Poetry
• João Pedro Cachopo
• PART IVPopular Music and Literature
• 27. ‘Booklovers’? Popular Music and the Literary Canon
• Caroline Ardrey
• 28. Jazz Fiction in Global Context: Between Racial Politics and Improvisational Poetics
• Eric Prieto
• 29. Literary Beethovens: Convention, Difference, and Cultural Memory
• Nathan Waddell
• 30. Dusty’s Answer, or, Pop Song for Ali Smith
• Stephen Benson
• 31. Call-and-Response: Black Music and Literature, from Langston Hughes to Morgan Parker
• Christopher Lloyd
• 32. Confessional Poetry, Confessional Pop: Gender, Race, and the Lyric Form in Modern American Writing and Music
• Rachel Sykes
• 33. Literary Pop: Dissecting the Creative Process Behind Maxïmo Park’s ‘Leave This Island’
• Paul Smith
• 34. Jawbreaker: Literary Punk and Authenticity
• Arin Keeble
• 35. The Devil’s Party: Metal and Literature
• Samuel Thomas
• 36. Setting Greek Modernist Poetry to Greek Popular Music: The Emergence of Art-Popular [Entechno Laiko] Song
• Christina Michael
• 37. Performing Brecht’s Paradox: Misuk as Critical Pop?
• Heidi Hart
• Index