New,The Mediations of Music: Critical Approaches after Adorno

Contents

• 1 Popular Culture and Post-Traditional Arts: Debates and Controversies During Adorno’s Exile in the USA
• GIANMARIO BORIO
• PART I: The Dynamics of Musical Mediation
• 2 The Logic of Judgement-less Synthesis: Theodor W. Adorno on Vermittlung and the Language of Music
• DIETER MERSCH
• 3 Beyond Mediation
• ESTEBAN BUCH
• 4 Media, Mediation and ‘Bildung’ in Adorno’s Current of Music
• MICHELA GARDA
• PART II: Notation and Performance
• 5 ‘Every written note is the image of a beat’: Rethinking Adorno’s Critique of Notation
• ANDREAS MEYER
• 6 Towards a Practice of Musical Performance Creativity
• DANIEL LEECH-WILKINSON
• 7 Exploring the Text-Performance Continuum in Music: Reflections on Immediate Mediation
• ALESSANDRO CECCHI
• PART III: Music on Screen
• 8 Instrumentalizing Music for the Movies: Comedy, Portability, Labor, Critique
• LYDIA GOEHR
• 9 Composing for the Films in the Age of Digital Media
• JAMES BUHLER
• PART IV: Recorded Sound in Changing Environments
• 10 Adorno and Jazz: A Dialogue with the Philosopher from an Audiotactile Perspective
• VINCENZO CAPORALETTI
• 11 Adorno, the Jitterbug and the Becoming Insect of Music
• MAKIS SOLOMOS