New,Innovation in Music: Cultures and Contexts

Contents

• Part 1 : Creative Production Practice
• 1. Staging Notions of Space: Realising Compositional Intention in 3D and Stereo Record Production
• 2. Exploring Dolby Atmos: Past Present, and Future
• 3. Introducing the Hyper Near-Field Dolby Atmos Tiny Studio
• 4. Rap as Composite Auditory Streams: Techniques and Approaches for Chimericity Through Layered Vocal Production in Hip-Hop, and their Aesthetic Implications
• 5. Exploring the History of Distortion in Drum and Bass
• 6. Dynamic Meta-Spatialization: Narrative and Recontextualization Implications of Spatial Stage Stacking
• 7. Vocal Chops: Another Human/Machine Hybrid
• 8. “Come together, right now...”: Making Remote Multiparty in-the-Box Audio Mixing a Reality
• 9. A Creative Methodology for Self-Production
• 10. Two Production Strategies for Music Synchronisation as Speculative Entrepreneurship
• Part 2 : National and International Perspectives
• 11. Mobile Classical Music – Recording, Innovation, Networks and Mediatization: Three Swedish Case Studies from the 1940s to 2021
• 12. “Culture Produces An Industry”: Production and Promotion Strategies of Campus Song Records by Taiwanese Synco Corporation
• 13. Business Model Innovation in the Music Industry: A Study of European Songwriters Working Towards China’s Market
• 14. Yellow Music in Diaspora: Re-inventing the Sound of pre-1975 Record Production in Sài Gòn
• 15. Innovating Music Experiences – Creativity in Pandemic Times
• 16. Connecting Across Borders: Communication Tools and Group Practices of Remote Music Collaborators
• 17. From Master Pieces to Masterpiece: Source Selection and Reformatting During the Republishing Process of Legacy Music Productions