Sonic Histories of Occupation: Experiencing Sound and Empire in a Global Context

Contents

• List of Figures List of
• Contributors
• Acknowledgements ‘
• Introduction Sonic Histories of Occupation’ Russell P. Skelchy and Jeremy E. Taylor
• Part I : Voice and Occupation
• Introduction ‘Voice and Occupation’ Jeremy E. Taylor
• 1. ‘The Vocal Apparatus’s Colonial Contexts: France’s Mission Civilisatrice and (Settler) Colonialism in Algeria and North America’, Iris Blake
• 2. ‘The Hush Arbour As Sanctuary: African American Survival Silence During British/American Slavery’, Maya Cunningham
• 3. ‘Music and Sound in Weihsien Internment Camp in Japanese-occupied China’, Sophia Geng
• Part II Introduction ‘Memory, Sound and Occupation’, Jeremy E. Taylor
• 4. ‘Occupying New Sound Worlds: Debordering Sonic Imaginaries in StoryMaps’, Fiona Magowan and Jim Donaghey, with Annette McNelis
• 5. ‘Loud Town, Quiet Base: Olongapo City, Subic Bay and the US Navy, 1950–70’, Kevin Sliwoski
• 6. ‘Registering Sonic Histories in a Multiply Occupied Place: Sound and Survivance in Mangota’ay, Taiwan’, DJ Hatfield
• Part III Introduction to Part Three: ‘Auditory Responses to Occupation and Colonialism’, Jeremy E. Taylor
• 7. ‘The Sonic Occupation of Central Asia: Sound Culture and the Railway in Chingiz Aitmatov’s The Day Lasts More Than a Hundred Years ’, Dimitri Smirnov
• 8. ‘Auditory and Spatial Regimes of United States Colonial Rule in Baguio, Philippines’, Russell P. Skelchy
• 9. ‘Soundscapes of Diversity in the Port Cities of British Malaya: Cultural Convergences and Contestations in the Early Twentieth Century’, Tan Sooi Beng
• Index