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Expanding the Music Theory Canon: Inclusive Examples for Analysis from the Common Practice Period

Expanding the Music Theory Canon: Inclusive Examples for Analysis from the Common Practice Period

  • Author: Maust, Paula
This book is a welcome addition and valuable resource for teachers of music theory at every level who are looking to expand the music to which they expose their students and study. I therefore... More…

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Contents

  • Acknowledgments
  • Editorial Principles
  • Introduction
  • How to Use This Anthology
  • PART I: FUNDAMENTALS
  • 1. Major and Minor Scales; Diatonic Modes
  • 2. Triads and Seventh Chords
  • 3. Simple Meters
  • 4. Compound and Asymmetrical Meters
  • 5. Borrowed Beat Divisions, Polyrhythms, and Hemiolas
  • PART II: EMBELLISHING TONES
  • 6. Passing Tones
  • 7. Neighbor Tones and Incomplete Neighbors
  • 8. Appoggiaturas and Anticipations
  • 9. Pedals
  • 10. Suspensions
  • PART III: HARMONIC PROGRESSIONS
  • 11. Cadences
  • 12. Tonic and Dominant Triads
  • 13. The Dominant Seventh Chord
  • 14. The Leading-Tone Triad and Seventh Chord
  • 15. Predominant Triads and Seventh Chords; the Embellishing Subdominant
  • 16. Second-Inversion Triads
  • 17. Submediant and Mediant Triads
  • 18. Secondary Dominants
  • 19. Augmented Sixth Chords
  • 20. The Neapolitan
  • 21. Modal Mixture
  • 22. Common-Tone Diminished Seventh Chords
  • 23. Chromatic Mediants
  • 24. Diatonic and Chromatic Modulation
  • 25. Sequences
  • PART IV: FORMAL STRUCTURES
  • 26. Phrase Structures
  • 27. Binary Form
  • 28. Sonata Form
  • 29. Minuet and Trio
  • 30. Rondo and Sonata-Rondo Forms
  • 31. Theme and Variations; Ground Bass
  • 32. Fugue
  • 33. Large Ternary Form
  • Composer Biographies
  • Bibliography
  • Index