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The Beatles and Humour: Mockers, Funny Papers, and Other Play

The Beatles and Humour: Mockers, Funny Papers, and Other Play

Book

$128.25

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Out of Stock

Contents

  • Editor and Contributor Bios
  • Introduction Mockers, Funny Papers, and Rolling Up: Why the Beatles are Still in Play Katie Kapurch, Texas State University, USA, Matthias Heyman, University of Antwerp, Belgium, and Richard Mills, St Mary's University, UK
  • PART I : Playing Together
  • 1. The Beatles and the Bard, the Walrus and the Eggman: Playing with William Shakespeare and Lewis Carroll and/as Perspective by Incongruity Katie Kapurch, Texas State University, USA
  • 2. I Laugh and Act Like a Clown: The Beatles as Paradoxical Clowns Matthias Heyman, University of Antwerp, Belgium
  • 3. Defuse, Dilute, Deflate: The Beatles Turn It On and Laugh It Off Aviv Kammay, Wingra School, USA
  • 4. Billy Preston and the Beatles Get Back : Black Music and the Wisdom of Wordplay and Wit Mike Alleyne, Middle Tennessee State University, USA, Walter Everett, University of Michigan, USA, and Katie Kapurch, Texas State University
  • PART II : Playing Solo
  • 5. Madcap Laughs: The Evolution of John Lennon's Humor Jeffrey Roessner, Mercyhurst University, USA
  • 6. "Shall We Dance? This is Fun!": Paul McCartney's Popular Song Pastiches David Thurmaier, University of Missouri-Kansas City Conservatory, USA
  • 7. "I Was So Young When I Was Born": George Harrison and the Mansion of Mirth John Covach, University of Rochester, USA
  • 8. George Martin, Parlophone Records, and Great Britain's Funnymen Kenneth Womack, Monmouth University, USA, and Ed Zareh, writer, USA
  • 9. Yoko Ono's Avant-Garde Humor Stephanie Hernandez, Independent Scholar, UK
  • PART III : Playing in Context
  • 10. Bug Music: Beatle Memes in Sixties American Sitcoms Matthew Schneider, High Point University, USA
  • 11. The Beatles and the Birth of British Comedy in the 1960s with Beyond the Fringe and Monty Python's Flying Circus Richard Mills, St Mary's University, UK
  • 12. Pastiche, Parody, or Post-Irony? The Beatles' Influence on Tears for Fears Mark Spicer, Hunter College and the Graduate Center, City University of New York, USA
  • Index