Haunted Soundtracks: Audiovisual Cultures of Memory, Landscape, and Sound

Contents

• 1. Introduction K.J. Donnelly (University of Southampton, UK) and Aimee Mollaghan (Queen's University, Belfast, UK)
• 2. What wind in what trees? Listening to Blow-Up (1966) Paul Newland (Worcester University, UK)
• 3. Imaginal Space and the Occult Soundtrack in Guy Maddin's Keyhole (2011) Daniel Bishop (Indiana University, USA)
• 4. The Haunted and the Medium K.J. Donnelly (University of Southampton, UK)
• 5. Producing Paranormal Sounds: the BBC Radiophonic Workshop, The Legend of Hell House (1973) and The Stone Tape (1972) Jamie Sexton (University of Northumbria, UK)
• 6. Cries and Whispers: Inner Time, Landscape and Sound in the Television Adaptations of Alan Garner Craig Wallace (Queen's University, Belfast, UK)
• 7. Concrete Spaces: Musique Concrete in Gus van Sant's Elephant (2003) and Paranoid Park (2007) Jessica Shine (Munster Technological University, Ireland)
• 8. Arctic Noir and Acoustic Terror: Sounding Uncanny Landscapes of Crime Lisa Coulthard (University of British Columbia, Canada)
• 9. Acoustic Ghosts and Haunted Landscapes in Contemporary British Landscape Cinema Aimee Mollaghan (Queen's University, Belfast, UK)
• 10. The Trajectory of Death: Justin Kurzel's Screen Adaptation of Shakespeare's Macbeth (2015) Danijela Kulezic-Wilson (University College Cork, Ireland)
• 11. Haunted Folk: Spectres of the Analogue in Annihilation (2018) John McGrath (University of Surrey, UK)
• 12. Sonic Novelty and Conceptual Obscurity: Music, Landscape and Enigma in Picnic at Hanging Rock (Peter Weir, 1975) Jady Jiang (University of Southampton, UK)
• 13. Outside Inside: Nature, Gender and the Altered Domestic Space in Possum (1997) and Nature's Way (2006) Andrea Wright (Edge Hill University, UK)