Defiant Sounds: Heavy Metal Music in the Global South

Contents

• Contents
• Introduction: Of "Metal" and Metal: A Global South Approach to Metal Studies
• Daniel Nevarez Araujo, Nelson Varas-Diaz, Jeremy Wallach, and Esther Clinton
• Section 1: Conceptualizing the Distorted South
• Chapter 1. Metal Music in the Distorted South: A Call for Defiance and Reflection
• Nelson Varas-Diaz, Daniel Nevarez Araujo, Jeremy Wallach, and Esther Clinton
• Section 2: Hope
• Chapter 2. An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South
• Susana Gonzalez-Martinez
• Chapter 3. Reclaiming Aotearoa: Stories of Experimentation, Education, and Reflection in Aotearoa Indigenous Metal Music
• Didier Goossens
• Chapter 4. "A Whole New Type of Isolation": Resilience and Hope in the Navajo Nation Metal Scene during the COVID-19 Pandemic in 2020-2021
• Anthony J. Thibodeau and Sage Bond
• Section 3: Social Change
• Chapter 5. "We Play Heavy Metal because Our Lives Are Heavy Metal": A Generation of Metal in the Middle East and North Africa
• Mark LeVine
• Chapter 6. Youth Activism and Decolonial Metal: Voice of Baceprot and Alien Weaponry as Case Studies
• Paula Rowe
• Chapter 7. Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases
• Manuela Belen Calvo
• Section 4: Dialogues
• Chapter 8. An Interview on Contar/Cantar Memorias da Resistencia
• Susane Hecate (Miasthenia) and Daniel Nevarez Araujo
• Chapter 9. Misusing Things in Metal Music: A Dialogue
• Manuel Gagneux (Zeal & Ardor) and Daniel Nevarez Araujo
• Chapter 10. The Alternative Side of the Frame: A Dialogue on Southern Inspirations
• Kobi Farhi (Orphaned Land) and Nelson Varas-Diaz
• Chapter 11. A Dialogue on Metal Festivals and Social Justice
• Tshomarelo "Vulture" Mosaka (Overthrust) and Edward Banchs
• Section 5: Diaspora
• Chapter 12. The Ultra-Violence: Death Angel and Asian American Presence/Absence in Heavy Metal
• Kevin Fellezs
• Chapter 13. "Somewhere They Belong": Metal, Ethnicity, and Scenic Solidarities in Malaysia's Underground Scenes (1990s to 2000s)
• Azmyl Yusof and Adil Johan
• Section 6. Transgression
• Chapter 14. Ancient, Evil, and African: Heavy Metal and Conflict in East Africa
• Edward Banchs
• Chapter 15. The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria
• Pasqualina Eckerstro m
• Section 7: Resistance and Community
• Chapter 16. Decolonizing the Mind's Eye: Images of Resistance in Caribbean Metal Music
• Nelson Varas-Diaz and Daniel Nevarez Araujo
• Chapter 17. Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene
• Oki Rahadianto Sutopo and Agustinus Aryo Lukisworo
• Chapter 18. Satan Wasn't There: The Perseverance of the Moroccan Metal Scene
• Amine Hamma and Brian Trott
• Epilogue: Metal Unbound
• Esther Clinton, Jeremy Wallach, Nelson Varas-Diaz, and Daniel Nevarez Araujo
• About the Contributors