Experiencing Music and Visual Cultures: Threshold, Intermediality, Synchresis
- Editor: Cascelli, Antonio
- Editor: Condon, Denis
Book
$52.00Printed on demand
Contents
- Setting the Scene
- 2 -Synch: Scenes of Implication
- ALESSANDRA CAMPANA
- 3 - Armida In-Between. The Translation of the Affetti.
- GIOVANNI CARERI
- Voice as Presence and Absence
- 4 - La Voix humaine (1959-2016) and the "Epiphany" of the Performer's Identity
- FRANCESCA PLACANICA
- 5 - Puppets that Sing or Scenery that Breathes: Phelim McDermott's Satyagraha
- HAYLEY FENN
- 6 - Manipulating (Public) Images in the Contemporary Music Documentary
- JENNIFER O'MEARA
- 7 - A New Carmen for a Renewed Spain: Nationalism and Cinema during the Spanish Civil War
- LAURA MIRANDA
- Beyond Borders
- 8 - "Uber Opera": The Politics of Site-Specific Mobile Opera in Los Angeles
- MONICA CHIEFFO
- 9 - Quel trouble me saisit? The Arrested Gaze of Armide in Poussin, Quinault and Lully
- MICHAEL LEE
- 10 - Music in Cuban Revolutionary Cinema: Musical Experimentation in the Service of Revolutionary Ideology
- MARYSOL QUEVEDO
- 11 - Ken Russell's Mahler: A Musical Phantasmagoria
- PASCAL VANDELANOITTE
- 12 - There's Meth in the Madness: Music and Incongruence in AMC's Breaking Bad
- JESSICA SHINE
- From Silence to Sound and Back
- 13 - Music, Painting, Cosmos, Chaos: Flaying and Playing in Titian and Ribera
- ITAY SAPIR
- 14 - Armonia: Seeing and Hearing in Veronese's Le nozze di Cana
- ANTONIO CASCELLI
- 15 - Listening to Space in Time
- SUSANNA PASTICCI
- 16 - The Allowable Voices of Silent Opera Films in 1910s Ireland
- DENIS CONDON