Global Hiphopography

Contents

• Preface (H. Samy Alim).-
• Introduction (Jaspal Naveel Singh and Quentin Williams).-
• Section 1 : Now Check the Method.-
• Chapter 1 : The CIPHER Method: Mapping Global Hip Hop Knowledge Flows (J. Griffith Rollefson, Warrick Moses, Jason Ng, Steven Gamble, David Browne, Ophelia McCabe and Gustavo Marques).-
• Chapter 2 : Triangulation of Reflexivity: The Interplay of the Body, the Hip Hop Activist and the Academic (Friederike Frost).-
• Chapter 3 : Relational Hiphopography: Some Notes on Shared Study (Ethiraj Gabriel Dattatreyan).-
• Section 2 : Mind, Body and Soul.-
• Chapter 4 : Amplifying Community Voices through Beatbox Institutions in India (Cameron Martin Campbell).-
• Chapter 5 : Towards an Embodied Hip Hop Pedagogy: Call-and-Response Otherwise In and Out of the Classroom (Maiko Le Lay).-
• Chapter 6 : Rappin' for Rap's Sake: Towards T.R.A.P. Research for Collective Liberation (Casey Philip Wong, Keith Cross, Omar Gaytan and Josue Hernandez).-
• Chapter 7 : Hiphoporis disputationes: Philosophy, Ethics and Institutionalizing Subcultures (Bryan Vit and Jaspal Naveel Singh).-
• Section 3 : Politricks and Discontents.-
• Chapter 8 : Revolutionalizing the Art, and the Art of a Revolution: A HipHopographic Reading of the Graffiti of Sudan's December Revolution (Awad Ibrahim, Mohammad Sulieman and Mustafa Hamid).-
• Chapter 9 : Real, Fake, "Match Words with Deeds" and Hypocrisy: Transforming Moral Imaginations in Chinese Hip Hop Music (Shimin Zhang).-
• Chapter 10 : 'Silence is Betrayal': Cape Hip Hop's Critical Interrogation of the Political Present (Adam Haupt).-
• Chapter 11 : Transidiomatism in Da Billas' Mafohlana Rap Song: The Socio-Cultural Drama of Illegal Migrants in South Africa (Manuel Guissemo).-
• Section 4 : Connective Marginalities.-
• Chapter 12 : New Local/Translocal Hip Hop Aesthetics: Contemporary Performances in Brazilian Rap/Hip Hop (Marcos Morgado).-
• Chapter 13 : 'Rooty Space Trips from Chimoio': Notes about Space and Temporality in Sampling (Milton Conqui and Janne Rantala).-
• Chapter 14 : Homeboys: A Photo-Journey into Delhi's Hip Hop Scene (Sahil Saxena).-
• Section 5 : Feminine Energy.-
• Chapter 15 : Sisters in the Hood: Re-centring Gender Balance in HipHop by Creating Safe Spaces for Womxn (Amelia Unity Thomas).-
• Chapter 16 : African Women in Hip Hop: Shifting African Feminist Conversations (Msia Kibona Clark).-
• Section 6 : Global Blackness.-
• Chapter 17 : Using Sound to Demarcate Space and Time: Reflections on a Brazilian DJ and a "Black music" project (Derek Pardue).-
• Chapter 18 : Finnish Rappers and Their Fans: Constructions of Ethnicities and (Non)Belonging (Elina Westinen).-
• Section 7 : Writing History.-
• Chapter 19 : Graffuturism: Abstract representations of language in urban space (Miller Elliot).-
• Chapter 20 : Writing 'a' history of underground Hip Hop in India: A self-reflexive reading (Elloit Cardozo).-
• Chapter 21 : The Mixtape as Hip Hop Historiography (Frederik Hahn).