Stravinsky in Context
- Editor: Griffiths, Graham
Book
$41.25Contents
- Preface; List of Contributors; List of Abbreviations;
- Part I . Russia and Identity:
- 1. Memory and truth: Stravinsky's childhood (1882-1901) Catriona Kelly;
- 2. Religion, life and death in St Petersburg Natalia Braginskaya;
- 3. Kashperova and Stravinsky: the making of a concert-pianist Graham Griffiths;
- 4. Reminiscences of Rimsky-Korsakov, his family and artistic circle Lidia Ader;
- 5. Orthodoxies and unorthodoxies: Stravinsky's spiritual journey Ivan Moody;
- 6. The Russian soul Rowan Williams;
- Part II . Stravinsky and Europe:
- 7. Sergei Diaghilev and Stravinsky: from world of art to ballets russes John E. Bowlt;
- 8. Paris and the Belle Epoque Davinia Caddy;
- 9. Paris, Art Deco, and the spirit of Apollo Jonathan Cross;
- 10. Stravinsky's Spain: fan or mirror? Graham Griffiths;
- 11. 'It is Venice that he loves...' Mauricio Dottori;
- Part III . Partnerships and Authorship:
- 12. Stravinsky's sphere of influence: Paris and beyond Inessa Bazayev;
- 13. Stravinsky and his literary collaborators Maureen Carr;
- 14. Assuming co-authorship: Stravinsky and his 'ghost-writers' Valerie Dufour;
- 15. Nadia Boulanger and Stravinsky: the transition to America Kimberly Francis;
- 16. Conversations with Craft Anna Schmidtmann;
- Part IV . Performance and Performers:
- 17. Challenges to realism and tradition: Stravinsky's modernist theatre Massimiliano Locanto;
- 18. Igor Stravinsky and ballet as modernism Stephanie Jordan;
- 19. Stravinsky's ear for instruments Chris Dromey;
- 20. Towards a conductor-proof ideal Hannah Baxter;
- 21. The pianist in the recording studio: re-imagining interpretation Daniel Barolsky;
- 22. The legacy of Stravinsky as recorded history Per Dahl;
- Part V . Aesthetics and Politics:
- 23. Stravinsky versus literature Emily Frey;
- 24. Stravinsky and Greek antiquity Katerina Levidou;
- 25. Stravinsky's response to 'Japonisme' Mai Ikehara;
- 26. Stravinsky, modernism and mass culture Ross Cole;
- 27. Perspectives on Schoenberg and Stravinsky: Adorno and others Alan Street;
- 28. Stravinsky's 'problematical' political orientation during the 1920s and 1930s Erik Levi;
- Part VI . Reception and Legacy:
- 29. The Apollonian clockwork re-wound Elmer Schoenberger;
- 30. Stravinsky reception in the USSR Philip Ewell;
- 31. The Stravinsky/Craft conversations in Russian and their reception Olga Manulkina;
- 32. Publishing Stravinsky Nigel Simeone;
- 33. Copyright, the Stravinsky estate, and the Paul Sacher foundation Heidy Zimmermann;
- 34. Evoking the past, inspiring the future Lynne Rogers;
- 35. 'Music is, by its very essence, powerless to express anything at all' Daniel K L Chua; Index.