21st Century Guitar: Evolutions and Augmentations

Contents

• Contributors Acknowledgements Foreword Introduction Richard Perks, University of Kent, UK, and John McGrath University of Surrey, UK
• 1. The Well-Tuned Guitar John Schneider , Los Angeles Pierce College, USA
• 2. Transforming the Microtonal Fignerboard: 'Small' Frets, LEGO and Robots - Interview with Tolgahan Cogulu Richard Perks, University of Kent, UK
• 3. The Expanding Fretless Guitarscape: Practice and Progress Richard Perks, University of Kent, UK
• 4. Touching the Apple Without Gloves - Interview with Cenk Erdogan Richard Perks, University of Kent, UK
• 5. Extended Range Instruments: Towards a New Organology of the Guitar Tom Williams, ACM Digital Library, USA
• 6. I Should Have Just Learned How to Play the Organ - Interview with Charlie Hunter Richard Perks, University of Kent, UK
• 7. The Transformed Space of the Ligeti Guitar Katalin Koltai, University of Surrey, UK
• 8. Grains, Glitches and Infinite Space: Guitar Effects Pedals, Digitization and Textural Guitar Aesthetics Robert Strachan, University of Liverpool, UK
• 9. The Sonic Maelstrom - Interview with Nels Cline John McGrath University of Surrey, UK
• 10. "Something Seems Wrong, Should That Be Happening?": Avantfolk Guitar and Glitch Aesthetics, a Practice-Based Perspective John McGrath University of Surrey, UK
• 11. "A Field of Reactivity": Moog Guitar and Experimental Systems - Interview with Bill Thompson John McGrath University of Surrey, UK
• 12. The Digital Fretboard: Remapping and Relearning the Guitar's Pitch Matrix with MIDI and Max/MSP Milton Mermikides, University of Surrey, UK
• 13. Augmented Reality Guitars: Extended Instruments and Notation for a 21st Century Practice Amy Brandon, Composer & Guitarist, Canada Index