The Routledge Companion to Applied Performance: Volume Two – Brazil, West Africa, South and South East Asia, United Kingdom, and the Arab World

Contents

• Introduction to Volume Two;
• Part I Brazil;
• Introduction to Brazil and West Africa - Marina Henriques & Taiwo Afolabi;
• Chapter 1 : 'Pombas Urbanas: sowing wings in a banished city'. - Adailtom Alves Teixeira & Alexandre Falcao de Araujo;
• Chapter 2 : Interview with the Canto da Lagoa Community Theatre Group. - Marcia Pompeo Nogueira;
• Chapter 3 : Theatre crossed by the territory in the work of Grupo Codico - Jorge Braga Jr.;
• Chapter 4 : 'On fantastical journeys, who would save the adolescents from Mare?' - Marina Henriques;
• Chapter 5 : 'Every Patrol Car has a Little of the Slave Ship: The Emergency of the Listening Place'. - Altemar Di Monteiro;
• Chapter 6 : The Memory of The Contestado War in the Musical Theatre of youth from rural settlements in the south of Brazil. - Elaine Cristina da Silva & Tereza Mara Franzoni;
• Chapter 7 : 'Paraiso do Tuiuti:"I am not a slave of no master": The carnival of 2018 stars in the political debate about the 2016 Coup in Brazil'. - Fatima Costa di Lima;
• Chapter 8 : The power of subtle learning: directions and achievements of the Heliopolis Theatre Company. - Maria Fernanda Vomero;
• Part II West Africa;
• Chapter 9 : Functional Arts: Theatre Praxis in Burkina Faso. - Taiwo Afolabi;
• Chapter 10 : Conversation: A Folktale-based community play as a model for stimulating Community development. - Isi Agboaye;
• Chapter 11 : Geographies of Conflict: Resolving Farmer-Herdsmen Conflict through Street Theatre. - Alex C. Asigbo & Tochukwu J. Okeke;
• Chapter 12 : Politics of/and Performance Spaces in Theatre of Social Action: Two Decades of Segun Adefila's Crown Troupe of Africa. - Tunji Azeez;
• Chapter 13 : Applied Performances in Burkina Faso: Methodological and Topographical Overview and Challenges. - Annette Buhler-Dietrich;
• Chapter 14 : The Anglophone Problem in Cameroon: Participatory Theatre and Video Constructs. - Tume Fondzeyuf K.;
• Part III South Asia;
• Introduction to
• Part III Framing the South Asian Discourse. - Syed Jamil Ahmed;
• Chapter 15 : Queer Performativities in Contemporary Pakistan: A Genealogical Approach. - Fawzia Afzal-Kahn;
• Chapter 16 : 'Of Stones, Songs, and Freedom: Languages of Resistance in Kashmir'. - Tanveer Ajsi;
• Chapter 17 : 'Curfews of Thought'. - Ruwanthie de Chickera;
• Chapter 18 : Towards a Pedagogic analysis of Dance and Movement Therapy - Urmimala Sarkar Munsi;
• Chapter 19 : Street Theatre in Afghanistan: a Roundtable - Sadeq Naseri (chair);
• Chapter 20 : A Conversation: The Third Tune ( Teesri Dhun ) - Claire Pamment et al.;
• Chapter 21 : Shat Bhai Chompa: A Sociodrama in an urban slum of Dhaka City. - Ashfique Rizwan et al.;
• Chapter 22 : Storytelling through Playback Theatre: Building a collective consciousness to promote social cohesion in Nepal. - Nar Bahadur Saud;
• Chapter 23 : Transforming Trauma in Post-Conflict Settings: Ethnographic Evidence from a Social Circus project in Afghanistan - Annika Schmeding;
• Chapter 24 : Short essays;
• Part IV Arab World;
• Chapter 25 : Empowerment, Capacity Building, and Freedom - Marina Barham and Amira Barham;
• Chapter 26 : Street Theater in Tunisia: Fanni Raghman Anni (case study) - Seif Eddine Jlassi;
• Part V United Kingdom;
• Introduction to
• Part V : Performances of Age (UK)- Caiomhe McAvinchey;
• Chapter 27 : Six Songs for Paul: How The Lawnmowers Independent Theatre Company transform experience into expertise. - Ali Campbell;
• Chapter 28 : 'How I Learned to Stop Worrying and Love': Staging relational care with Lois Weaver and Split Britches. - Jen Harvie;
• Chapter 29 : Welcome to the Posh Club. - Ben Walters;
• Chapter 30 : 'In the Company of Others: Enterlechy Arts, co-creating with older people. - Sue Mayo;
• Chapter 31 : Magic Me: Interview with Chuck Blue Lowry, Kate Hodson, Susan Langford, Sue Mayo and Julian West. - Caiomhe McAvinchey;
• Chapter 32 : Having dementia shouldn't exclude you from cultural experiences: An Interview with Nicky Taylor, Theatre and Dementia Research Associate, Leeds Playhouse. - Caiomhe McAvinchey;
• Part VI South East Asia;
• Introduction to
• Part VI : South East Asia and China: performances of age - June Wee;
• Chapter 33 : Putting Dialogue in Context: Negotiating Contextual Influence in Applying Dialogue Theatre. - Richard Barber & Pongjit Saphakhun;
• Chapter 34 : Crisis of Representation of Afghan Culture: an analysis of Kaikavus and Heartbeat: Silence after the Explosion. - Edmund Chow;
• Chapter 35 : Glowing with Age - Peggy Ferroa;
• Chapter 36 : Contemporary Issues and Challenges in Applying Performance: the case of theatre in education in Hong Kong. - Muriel Yuen-Fun Law;
• Chapter 37 : Deceptive Simplicity - Michelle Ngu;
• Chapter 38 : Rethinking the Research on Both Sides, Now : An Arts-Based Community Engagement Project on End-of-Life in Singapore. - Charlene Rajendran & Prue Wales;
• Chapter 39 : Performances of 'what if' and 'as if': Exploring Plausible Futures through Imaginal and Vicarious Experiences in Playbuilding. - Jennifer Wong