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Choral Voices: Ethnographic Imaginations of Sound and Sacrality

Choral Voices: Ethnographic Imaginations of Sound and Sacrality

  • Author: Chatterjee, Sebanti

Book

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Contents

  • ListofIllustrations Prologue: Warming Up 1
  • Introduction Choral beginnings: Inside the chapel and a home studio
  • 1. 1 A biography of community- delineating the Sacred and the Heritage
  • 1. 2 Establishing a musical cadence
  • 1. 3 Framing choral music within Christian landscapes
  • 1. 4 Aural Intentions: Summary of chapters 2 Making of the Indigenous
  • 2. 1 Interrogating the Indigenous
  • 2. 2 Emplacing the Indigenous
  • 2. 3 Understanding Indigeneity, Inculturality and Decoloniality
  • 2. 4 Music and Decoloniality
  • 2. 5 Exploring the relationship between Indigeneity and Sacrality
  • 2. 6 Indigenous Possibilities in curricula and performance: Field narratives
  • 2. 7 Towards Sonic Interculturality 3 From Loft to the Recording Studio: Shillong Diaries
  • 3. 1 What brings you to Shillong?
  • Introduction
  • 3. 2 Cusp of Sacrality, new Technologies and Creative Processes
  • 3. 3 Choral Voices as ethnographic objects
  • 3. 4 Short Historical Snippets about Christianity and Musicality in Khasi and Lushai Hills
  • 3. 5 Discussing Genre, Intertextuality and Territorialisation
  • 3. 6 Shillong Chamber Choir
  • 3. 7 Repertoire- Medleys/Crossovers
  • 3. 8 Beyond performance
  • 3. 9 Aroha Choir
  • 3. 10
  • Conclusion 4 The Language of Music: Notes from a Goan Seminary
  • 4. 1 Inhabiting the Seminary
  • 4. 2 Outlining Goan Sacred Music
  • 4. 3 A brief history of music and language in Goa
  • 4. 4 Entering the field site
  • 4. 5 Rachol Seminary
  • 4. 6 Introducing the seminarians
  • 4. 7 Syncretic musical experimentations in Goan Sacred music
  • 4. 8 Goan Sacred music- Motets
  • 4. 9
  • Conclusion 5 Mapping Choral Voices: Role of People and Places
  • 5. 1
  • Introduction
  • 5. 2 Hierarchization of voices
  • 5. 3 Indigeneity and Christian Music Tradition
  • 5. 4 Music Performance
  • 5. 5
  • Conclusion 6 Tutti: Concluding
  • Section 6 .1 The Musical Clef Notating Certainty- Uncertainty
  • 6. 2 Positing the Vocal Phrasing
  • Acknowledgments
  • Bibliography
  • Glossary
  • Appendix Documentary - Da Capo (in CD)
  • Index