The Body in Sound, Music and Performance: Studies in Audio and Sonic Arts

Contents

• List of Figures
• List of Tables
• Introduction
• New Epistemologies of Sound
• Forces at Play
• Heather Frasch
• Why should we care about the body? On what Enactive-Ecological Musical Approaches have to Offer
• Lauren Hayes
• Under Mar Paradoxo [Paradox Sea] and Coastal Silences
• Raquel Stolf
• Gendered Sounds, Spaces and Places
• Deep Situated Listening Among Hearing Heads and Affective Bodies
• Sanne Krogh Groth
• The Field is Mined and Full of "Minas"- Women's Music in Paraiba: Kalyne Lima and Sinta A Liga Crew
• Tania Mello Neiva
• Working with Womens Work: Towards the embodied curator
• Irene Revell
• Tejucupapo Women: Sound Mangrove Bodies and Performance Creation
• Luciana Lyra
• New Methodologies in Sound Art and Performance Practice
• Looking for Silence in the Body
• Ida Mara Freire
• OUR body in #sonicwilderness & #soundasgrowing
• Antye Greie (AGF/poemproducer)
• What makes the Wolves Howl Under the Moon? Sound Poetics of Territory-Spirit-Bodies for Well-Living
• Laila Rosa & Adriana Gabriela Santos Teixeira
• Dispatches: Cartographing and Sharing Listenings
• Lilian Campesato and Valeria Bonafe
• Applying Feminist Methodologies in the Sonic Arts: Listening To Brazilian Women Talk about Sound
• Linda O Keeffe and Isabel Nogueira
• The Body Technology
• The Sensuality of Low Frequency Sound
• Cat Hope
• Cynosuric Bodies
• Susan E. Green-Mateu and Margaret Schedel
• The Violining Body in Anthemes II by Pierre Boulez
• Irine Rosnes
• 'Try to walk with the sound of my footsteps so that we can stay together': Sonic Presence and Virtual Embodiment in Janet Cardiff and Georges Bures Miller's Audio and Video Walks
• Sophie Knezic
• Breathing (as Listening): An Emotional Bridge for Telepresence
• Ximena Alarcon-Diaz
• Foley Performance and Sonic Implicit Interactions: How Foley Artists Might Hold the Secret for the Design of Sonic Implicit Interactions
• Sandra Pauletto
• Index