Popular Musicology and Identity: Essays in Honour of Stan Hawkins

Contents

• Introduction: a musicology of popular music and identity
• KAI ARNE HANSEN, EIRIK ASKEROI, AND FREYA JARMAN
• 1 The British dandy on the popular musical stage (1866-1915)
• DEREK B. SCOTT
• 2 'She Said She Said': the influence of feminine 'voices' on John Lennon's music 32
• MATTHEW BANNISTER AND MEGAN ROGERSON-BERRY
• 3 The classical closet
• SUSAN MCCLARY
• 4 Perfect duet? Paradoxes of gender representation and mixedgender collaborations on the Billboard charts from 1955 to 2017
• BARBARA BRADBY
• 5 The pleasure(s) of the pop text: subversion and theatricality in Cloroform and Tove Lo
• JON MIKKEL BROCH ALVIK
• 6 'Everyone is a little bit gay': LGBTIQ activism in Finnish pop music of the 21st century
• SUSANNAVAELIMAEKI
• 7 'Keeping it real', 'Keeping it dandy'? Male blackness and the popular music mainstream
• ANNE DANIELSEN
• 8 Global success, identitarian performance, and Canadian popular music
• WILL STRAW
• 9 'Very' British: a pop musicological approach to the Pet Shop Boys' 'Always on My Mind'
• SHARA RAMBARRAN
• 10 Pulp: a paradigm for perversion in pornosonic pop
• KENNETH SMITH
• 11 Regina Spektor's Small Bill$: the cute and the manic-zany as body-political strategies
• JOHN RICHARDSON AND ANNA-ELENA PAEAEKKOELAE
• 12 Masculinity and the illness narrative in Pain of Salvation's In the Passing Light of Day
• LORI BURNS