Music and the Benefit Performance in Eighteenth-Century Britain

Contents

• Introduction Alison DeSimone and Matthew Gardner;
• Part I . Musical Benefits in the London Theatre: Networks and Repertories:
• 1. Risks and rewards: benefits and their financial impact on actors, authors, singers, and other musicians in London, c. 1690-1730 Kathryn Lowerre;
• 2. With several entertainments of singing and dancing: London Theatre benefits, 1700-1725 Olive Baldwin and Thelma Wilson;
• 3. Concertos 'upon the stage' in early Hanoverian London: the instrumental counterpart to opera Seria Robert G. Rawson;
• 4. Cobblers, country fairs, and cross-dressing: benefits and the development of ballad opera Vanessa Rogers;
• Part II . Beyond London: Mimicry or Originality?:
• 5. Benefit concerts in the North of England: more than just musical entertainment Roz Southey;
• 6. Amateur music-making, professional musicians, and benefit concerts in Edinburgh Stefanie Acquavella-Rauch;
• 7. English music in benefit concerts: Henry Purcell and the next generation Amanda Eubanks Winkler;
• 8. Strategies of performance: benefits, professional singers, and Italian opera in the early eighteenth century Alison DeSimone;
• Part IV . Charity Benefits:
• 9. The Mercer's Hospital Charity Services: music charity in eighteenth-century Dublin Triona O'Hanlon;
• 10. English Oratorio and charity benefits in mid-eighteenth-century London Matthew Gardner;
• Part V . The Role of the Audience:
• 11. Encountering 'the most extraordinary prodigy': meeting Master Mozart in Georgian London John Irving;
• 12. Benefits: Cui Bono? David Hunter.