Musical Theatre Histories: Expanding the Narrative

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'Why We Tell the Story':
Introduction Historiography and Context(s) Deciphering Multiple Histories How to Read this Book
Chapter 1 - 'Do You Hear the People Sing?': From Operetta to Poperetta European Origins Musical Comedy and Broadway Operetta (1900-1940) American Origins Into the Twentieth Century The Musical Play and Beyond (1940-1960) Fragmentation and the Concept Mus
Conclusion
Chapter 2 - 'New Music': From Ragtime to Rap Ragtime and Early African American Music Early African American Musical Theatre Shuffle Along, And All That Jazz The Rise of Minstrelsy and 'Coon Songs' Dreamgirls and Motown Rap, Hip-Hop and Hamilton
Conclusion
Chapter 3 - 'Waving Through A Window': From Intertext to Instagram Literary Adaptations Stage and Screen Interactions The Wonderful World of Oz Singin' in the Rain and the Hollywood Film Musical Disney and the Animated Musical Cast Recordings You Already
Conclusion
Chapter 4 - 'Easy to be Hard': From Censorship to Sex Legal Censorship in Britain, 1485-1843 A Changing Landscape, 1843-1968 Censorship in America, 1620-1967 Politics meets Finance Hair (and all that followed) Self-Censorship and Political Correctness
Conclusion
Chapter 5 - 'Stand Up': From Gender Duality to Diversity Late Victorian Britain Music Hall and Variety Early Twentieth Century Transatlantic Transfers The 'Golden Age' - Post-World War II Diversity and Difference - After the 1960s Into the Twenty First C
Conclusion
Chapter 6 - 'Another National Anthem': From Ourselves to the Other Before the Great War World War II and Post-War Reconstruction 1990s British Resurgence (as Mythologised in American Musicals) Challenging American Mythology Hybrid Influences in Musical T
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Chapter 7 - 'A Whole New World': From The Mikado to the Megamusical Colonialism Culture within Colonialism The Cultural Dimension of Globalisation Global Producers and International Productions
Conclusion
Chapter 8 - 'Journey to the Past': From Revival to Revisal Reviving Gypsy 1970s American Revivals New Models and Styles (Concert and Small-Scale Productions, Actor-Musicianship, Opera House Productions) Revision and Reinvention
Conclusion

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Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic ‘histories’, Millie Taylor and Adam Rush take readers on a series of journeys that include the art form’s European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media in the 21st century. Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium. Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.

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