The Bloomsbury Handbook of Popular Music and Youth Culture

Contents

• Introduction Popular music and youth culture (Andy Bennett, Griffith University, Australia)
• SECTION 1 : THEORY Section
• Introduction (Andy Bennett)
• 1. Subcultures (Ross Haenfler, Grinell College, USA)
• 2. Postsubcultures (David Muggleton, University of Chichester, UK)
• 3. Scenes (Geoff Stahl, Victoria University, New Zealand)
• 4. Sound Environments (Raphael Nowak, Griffith University, Australia)
• 5. Music and the Body (Christopher Driver, University of Nottingham, Ningbo, China)
• SECTION 2 : METHOD Section
• Introduction (Andy Bennett)
• 6. Ethnography (Sara Cohen, University of Liverpool, UK)
• 7. Social Network Analysis (Nick Crossley, University of Manchester, UK)
• 8. Textual Analysis (Susan Fast, McMaster University, Canada)
• 9. Symbolic Interactionism (J. Patrick Williams, Nanyang Technological University, Singapore)
• 10. Discourse Analysis (Robin Woofitt, University of York, UK)
• SECTION 3 : HISTORY Section
• Introduction (Andy Bennett)
• 11. Music and youth in the inter-war years (David Fowler, University of Cambridge, UK)
• 12. The rock and roll years (Dave Laing, University of Liverpool, UK)
• 13. The Counter-Culture and the 1960s (Sarah Hill, University of Cardiff, UK)
• 14. Glam, punk and the 1970s (Jon Stratton, Curtin University, Australia)
• 15. Dance, electronica and 1980s (Jeremy Gilbert, University of East London, UK)
• SECTION 4 : IDENTITY Section
• Introduction (Andy Bennett)
• 16. Youth, music and politics (Shane Blackman, Canterbury Christchurch University, UK).
• 17. Music, gender and sexuality (Fred E. Maus, University of Virginia, USA)
• 18. Ageing youth cultures (Paul Hodkinson, University of Surrey, UK)
• 19. Music, memory and belonging (Catherine Strong. RMIT, Australia)
• 20. Youth, music and body modification (Daniel Wojcik, University of Oregon, USA)
• SECTION 5 : MEDIA
• 21. Music and youth radio (Eric Rothenbuhler, Webster University, USA)
• 22. Youth, music and television (Mark Duffett, Chester University, UK)
• 23. Music listening and digital technology (David Beer, University of York, UK)
• 24. Music, media and prosumption (Ling Yang, Capital Normal University, PRC)
• 25. Youth, music and film (Scott Henderson, Brock University, Canada)
• SECTION 6 : PLACE
• 26. Youth, music and local identity (Les Back, Goldsmiths College, UK)
• 27. Regional and rural youth music scenes (Lisa Nikulinsky, Griffith University, Australia)
• 28. Youth and music festivals (George McKay, University of East Anglia, USA)
• 29. Music, youth and virtual spaces (Holly Kruse, Rogers University, USA)
• 30. Youth and grassroots independent music scenes (Robin Kuchar, Leuphana University, Germany)
• SECTION 7 : MUSIC-MAKING
• 31. DJing and dance music (Hillegonda Rietveld, South Bank University, UK)
• 32. Home recording and DIY production (Samantha Bennett, Australian National University, Australia)
• 33. Youtube and music skill acquisition (Janice Waldron, University of Windsor, Canada)
• 34. Youth, music-making and careers (Jason Toynbee, Open University, UK)
• 35. Young tribute bands (Georgina Gregory, University of Central Lancashire, UK)