Narratives from Beyond the UK Reggae Bassline: The System is Sound

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1.
Introduction Narratives from the Bassline- William 'Lez' Henry & Matthew Worley
2. Vexed history: time and the waning of heart-I-cal philosophy- Paul Gilroy
3. Reggae culture as local knowledge: Mapping the beats on south east London streets- William 'Lez' Henry & Les Back, with
photographs by Olivia Thompson
4. A Who Seh? Reflections of a lost and found dub poet- Martin Glynn
5. 'What a devilment a Englan!' Dub poets and ranters- Tim Wells
6. Smiley Culture: A hybrid voice for the Commonwealth- Lucy Robinson
7. The Story of Nzinga Soundz and the Women's Voice in Sound System Culture- Lynda Rosenior-Patten and June Reid
8. Sound-tapes & Soundscapes: Lo-Fi cassette recordings as vectors of culturalTransmission- Kenny Monrose
9. 'Dem a call us pirates, dem a call us illegal broadcasters!': 'Pirates' Anthem', PCRL and the struggle for black free radio in Birmingham- Lisa Palmer
10. Rebel Music in the Rebel City: The Performance Geography of the Nottingham 'Blues Party', 1957-1987- Tom Kew
11. 'Curious roots & crafts': Record shops and record labels amid the Britishreggae diaspora- Peter Hughes Jachimiak
12. From Sound Systems to Disc Jockeys, From Local Bands to Major Success: On Bristol's Crucial Role in Integrating Reggae and Jamaican Music in British Culture- Melissa Chemam
13. Growing up under the influence: A sonic genealogy of grime- Joy White
14. Sound Systems and the Christian deviation- Carl Tracey
15. Handsworth Revolution: Reggae theomusicology, gospel borderlands and delinking Black British Contemporary Gospel Music from Colonial Christianity- Robert Beckford

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This book explores the history of reggae in modern Britain from the time it emerged as a cultural force in the 1970s. As basslines from Jamaica reverberated across the Atlantic, so they were received and transmitted by the UK’s Afro-Caribbean community. From roots to lovers’ rock, from deejays harnessing the dancehall crowd to dub poets reporting back from the socio-economic front line, British reggae soundtracked the inner-city experience of black youth. In time, reggae’s influence permeated the wider culture, informing the sounds and the language of popular music whilst also retaining a connection to the street-level sound systems, clubs and centres that provided space to create, protest and innovate. This book is therefore a testament to struggle and ingenuity, a collection of essays tracing reggae’s importance to both the culture and the politics of late twentieth and early twenty-first century Britain.

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