Help
Skip to main content
  • Trust pilot, 4 point 5 stars.
  • WORLDWIDE shipping

  • FREE UK delivery over £35

  • PROUDLY INDEPENDENT since 2001

Performing Arts And Digital Humanities – From Traces to Data

Performing Arts And Digital Humanities – From Traces to Data

  • Author: Bardiot, Clarisse

Book

$176.50

Out of stock at the UK distributor

You may order it now but please be aware that it may be six weeks or more before it can be despatched

Contents

  • Foreword ix Bruno BACHIMONT
  • Preface xiii
  • Introduction xxxv
  • Chapter 1 . The Digital Trace: From Data to Metatrace 1
  • 1.1. Tracing the ephemeral 2
  • 1.1.1. An impossible history? 3
  • 1.1.2. Relying on traces 4
  • 1.2. The digital trace 8
  • 1.2.1. Digitized traces 9
  • 1.2.2. Born digital traces 10
  • 1.2.3. Heterogeneous, numerous and fragile traces 11
  • 1.3. Transforming traces into data 14
  • 1.3.1. Analog trace and digital trace 14
  • 1.3.2. From trace to data: the datatrace 16
  • 1.3.3. Metatrace 22
  • 1.4. Performing arts data 25
  • 1.4.1. Performing arts data landscapes 25
  • 1.4.2. The Semantic Web paradigm 27
  • 1.4.3. Transforming the living archive into data 33
  • 1.5.
  • Conclusion 38
  • Chapter 2 . Preserving the Impermanent 41
  • 2.1. Note: scoring the representation 42
  • 2.1.1. Notation of the performing arts 43
  • 2.1.2. Scoring 49
  • 2.1.3. From autography to allography: scoring digital works 52
  • 2.1.4. The performing arts, between allography and autography 57
  • 2.2. Diachronic documentation: reconnecting with the process 62
  • 2.2.1. Making digital traces last 63
  • 2.2.2. Taking the creation processes into account 66
  • 2.3. Annotating: redocumentarizing traces 69
  • 2.3.1. Digital as an annotation practice 71
  • 2.3.2. The special case of video recording 73
  • 2.3.3. Intra- and inter-documentary approaches 76
  • 2.3.4. MemoRekall, a video annotation tool for redocumentarizing traces 79
  • 2.4. Denote/connote: artistic intent and datatraces 83
  • 2.4.1. Articulating close and distant reading 83
  • 2.4.2. Rekall 90
  • 2.5.
  • Conclusion 95
  • Chapter 3 . Writing the History of the Performing Arts 97
  • 3.1. Sources and resources 99
  • 3.1.1. Theater studies and digital humanities 100
  • 3.1.2. Scrutinizing 105
  • 3.1.3. Going back to the source 110
  • 3.2. Exposing traces 113
  • 3.2.1. Linking 114
  • 3.2.2. Structuring 119
  • 3.2.3. Reconstructing 124
  • 3.3. Analyzing performing arts data 127
  • 3.3.1. History 129
  • 3.3.2. Literature 135
  • 3.3.3. Shows 141
  • 3.4.
  • Conclusion 147
  • Conclusion 149
  • Glossary 153
  • References 163
  • Index of Names 179
  • Index of Terms 183