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Sonic Phantoms: Composition with Auditory Phantasmatic Presence

Sonic Phantoms: Composition with Auditory Phantasmatic Presence

  • Author: Bailey, Thomas Bey William
  • Author: Ellison, Barbara
  • Editor: López, Francisco

Book

$42.25

Printed on demand

Estimated despatch time 7 - 10 days

Contents

  • List of Figures Preface Acknowledgements 1 Phantasmagenics
  • 1. 1 Sonic phantoms as emergent presence
  • 1. 2 Presence by apophenia
  • 1. 3 Apophenia and creativity
  • 1. 4 Creativity with ambiguity
  • 1. 5 Ambiguity as intentional practice 2 Inducing the phantasmatic
  • 2. 1 Compositional phantasmatic strategies and techniques
  • 2.1. 1 Repetition
  • 2.1. 2 Persistence
  • 2.1. 3 Layering
  • 2.1. 4 Noise
  • 2.1. 5 Accentuation
  • 2. 2 Realms of sonic phantasmatic experience 3 Phantasma Instrumentalis: The Realm of the Instrument Compositional Series: Harp Phantoms
  • 3. 1 Sonic exploration of the instrument
  • 3. 2 Instrument preparation & sonic blotscapes
  • 3. 3 Ritualization in performance
  • 3. 4 Structure and possible variations
  • 3. 5 Inherent patterns
  • 3. 6 Auditory streaming
  • 3. 7 Sonic figure and ground
  • 3. 8 Listening modes and perceptual competition
  • 3. 9 Accentuation of harp sonic phantoms
  • 3. 10 A second life of Harp Phantoms in the studio 4 Phantasma Materialis: The Realm of the Object Compositional Series: Drawing Phantoms
  • 4. 1 Initial material explorations (for a literal 'phono-graphic' performance)
  • 4. 2 The Drawing Room
  • 4. 3 Transcendent 'boundary loss'
  • 4. 4 Automatic drawing - ghosts and dissociation
  • 4. 5 Drawing Phantoms performance
  • 4. 6 Expanding by narrowing: everyday and induced trance
  • 4. 7 Loop multiplicity
  • 4. 8 Drawing Phantoms seance
  • 4. 9 'EVP' and 'OVP' 5 Phantasma Humana: The Realm of the Voice Compositional Series: Vocal Phantoms
  • 5. 1 Katajjaq
  • 5. 2 Vocal Phantoms#18 (for live voices)
  • 5. 3 Ancient and recent vocal techniques of illusion
  • 5.4. CyberSongs: Text-to-Speech-to-Song
  • 5. 5 Micro-temporal mechanisms
  • 5. 6 Semantic satiation and semantization 6 Phantasma Naturalis: The Realm of Nature Compositional Series: Natural Phantoms
  • 6. 1 Listening and recording
  • 6. 2 Natural polyphony
  • 6.2. 1 Layering
  • 6.2. 2 Interlocking
  • 6.2. 3 Transitions
  • 6. 3 Natural Phantoms
  • 6. 4 Beyond composition 7 Coda: Otoacoustic Emissions: The Phantom Within References Index