Radio Art and Music: Culture, Aesthetics, Politics

Contents

• Radio Art and Music: An Introduction
• Jarmila Mildorf and Pim Verhulst
• Chapter 1: The Making of a Nomenclature: Jose Iges on Radiophonic Art
• Luz Maria Sanchez Cardona
• Chapter 2: Maestro, If You Please: The Radio Producer as Musician
• Jeremy Lakoff
• Chapter 3: Norman Corwin, Bernard Herrmann, and Musical Direction for Columbia Presents Corwin
• Reba A. Wissner
• Chapter 4: "Attitudes toward History" and the Radiophonic Compositions of Daphne Oram and the Firesign Theatre
• David McCarthy
• Chapter 5: Between Art and Promotion: The Prix Italia, Its Historical Context and Aims in the First Fifty Years 1949-1998
• Angela Ida De Benedictis
• Chapter 6: A Canadian Experiment in Words-as-Music: Glenn Gould's Invention of Form in his Radio Program The Idea of North
• Elissa Guralnick
• Chapter 7: Jewish Musical Material in a 1946 American Radio Drama: "Rachel"
• Paula Eisenstein Baker and Robert S. Nelson
• Chapter 8: The Bad Violin's Good Politics: Music of Protest and Disavowal in The Jack Benny Program
• Jade Conlee
• Chapter 9: Shifting Hues of Blackface: Performance of Race in Radio Adaptations of Holiday Inn (1942)
• Emily Lane
• Chapter 10: Voicing the Other World: Music and the Victorian Occult in Midcentury American Radio Drama
• Olivia Cacchione
• Chapter 11: Collective Responsibility in Ingeborg Bachmann and Hans Werner Henze's Radio Drama The Cicadas
• Lucy Jeffrey
• Chapter 12: Music and Politics in the BBC Radio Adaptation of Alan Bennett's The Madness of George III
• Jarmila Mildorf
• Chapter 13: Adapting the Soundtrack of Revolution: Tom Stoppard's Rock 'n' Roll from Stage to Radio
• Pim Verhulst
• Chapter 14: Children's Songs as Socio-Political Comment in the Greek Radio Show Edo Lilipoupoli
• Aikaterini Giampoura
• About the Contributors