Help
Skip to main content
  • Trust pilot, 4 point 5 stars.
  • WORLDWIDE shipping

  • FREE UK delivery over £35

  • PROUDLY INDEPENDENT since 2001

The Theatrical Professoriate: Contemporary Higher Education and Its Academic Dramas

The Theatrical Professoriate: Contemporary Higher Education and Its Academic Dramas

  • Author: Roxworthy, Emily

Book

$54.75

Printed on demand

Estimated despatch time 7 - 10 days

Contents

  • Acknowledgements
  • Introduction Introducing...the Theatrical Professoriate
  • 1. A Crisis of Representation
  • 2. The Spectacle-Archive of the Public's Professoriate
  • 3. The Theatrical Turn of Academia's Diversity Crisis
  • 4. The STEM Takeover and Academia's Makeover
  • 5. Professorial Performance in the Neoliberal Academy
  • 6. Chapter Breakdown
  • Chapter 1 : #Oscars So White and Historically White Universities
  • 1. The Spectacle-Archive of the 2015 Academy Awards
  • 2. Hollywood's and Academia's Myths of Meritocracy
  • 3. Whiplash, Boyhood, and The Stanford Prison Experiment
  • 4. "A Long and Terrifying Fall" in Still Alice and The Theory of Everything
  • 5. Personalized Epiphanies, or "Eureka" Moments
  • 6. A Failure to "Only connect!"
  • 7. The Theatrical Facade of an Uncaring Academy
  • Chapter 2 : Academic Drama on Stage and Screen
  • 1. Staging the Professor's Body: Canonical Academic Plays Turned Screenplays
  • 2. David Mamet's Oleanna and Teaching Against the Machine
  • 3. Margaret Edson's Wit and the Maternal Wall
  • 4. David Auburn's Proof and the Violence of Mind-Body Dualism
  • 5. Rebecca Gilman's Spinning into Butter and the Diversity Charade
  • Chapter 3 : Behind the Scenes of Academia's Diversity Charades
  • 1. The Spectacle of "Microaggressions" and the Racial Crisis Facing Academia
  • 2. The Mediated Versions of Dear White People
  • 3. The Stage Origins of I, Too, Am Harvard
  • 4. Eleanor Burgess's The Niceties
  • 5. Rachel Lynett's Well-Intentioned White People
  • 6. Lydia Diamond's Smart People
  • 7. "Diversity Theatre" as Critical Theory
  • Chapter 4 : Framing Science for the Death of the Humanities
  • 1. The Interdisciplinary Pitfalls of "STE(A)M"
  • 2. Amateurism as Antidote for the Theatrical Professoriate
  • 3. Staging Physics' Toxic Masculinity in Losing the Nobel Prize
  • 4. Framing Computer Science in Purely Academic
  • 5. A Backstage Tour of the Nobel Prize in Margin of Error
  • 6. STEM as Theatre's New Patron
  • Conclusion Diagnosing Academia's Theatrical Turn
  • 1. The Humane Interventions of Karen Zacarias's Just Like Us
  • 2. The Ambivalent Spotlight of the Theatrical Turn
  • 3. Academic Drama as Pharmakon
  • 4. Confessions of an Academic Theatre Interventionist
  • 5. Framing Computer Science in Purely Academic
  • 6. A Backstage Tour of the Nobel Prize in Margin of Error
  • 7. STEM as Theatre's New Patron
  • Index