The Theatrical Professoriate: Contemporary Higher Education and Its Academic Dramas
- Author: Roxworthy, Emily
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Contents
- Acknowledgements
- Introduction Introducing...the Theatrical Professoriate
- 1. A Crisis of Representation
- 2. The Spectacle-Archive of the Public's Professoriate
- 3. The Theatrical Turn of Academia's Diversity Crisis
- 4. The STEM Takeover and Academia's Makeover
- 5. Professorial Performance in the Neoliberal Academy
- 6. Chapter Breakdown
- Chapter 1 : #Oscars So White and Historically White Universities
- 1. The Spectacle-Archive of the 2015 Academy Awards
- 2. Hollywood's and Academia's Myths of Meritocracy
- 3. Whiplash, Boyhood, and The Stanford Prison Experiment
- 4. "A Long and Terrifying Fall" in Still Alice and The Theory of Everything
- 5. Personalized Epiphanies, or "Eureka" Moments
- 6. A Failure to "Only connect!"
- 7. The Theatrical Facade of an Uncaring Academy
- Chapter 2 : Academic Drama on Stage and Screen
- 1. Staging the Professor's Body: Canonical Academic Plays Turned Screenplays
- 2. David Mamet's Oleanna and Teaching Against the Machine
- 3. Margaret Edson's Wit and the Maternal Wall
- 4. David Auburn's Proof and the Violence of Mind-Body Dualism
- 5. Rebecca Gilman's Spinning into Butter and the Diversity Charade
- Chapter 3 : Behind the Scenes of Academia's Diversity Charades
- 1. The Spectacle of "Microaggressions" and the Racial Crisis Facing Academia
- 2. The Mediated Versions of Dear White People
- 3. The Stage Origins of I, Too, Am Harvard
- 4. Eleanor Burgess's The Niceties
- 5. Rachel Lynett's Well-Intentioned White People
- 6. Lydia Diamond's Smart People
- 7. "Diversity Theatre" as Critical Theory
- Chapter 4 : Framing Science for the Death of the Humanities
- 1. The Interdisciplinary Pitfalls of "STE(A)M"
- 2. Amateurism as Antidote for the Theatrical Professoriate
- 3. Staging Physics' Toxic Masculinity in Losing the Nobel Prize
- 4. Framing Computer Science in Purely Academic
- 5. A Backstage Tour of the Nobel Prize in Margin of Error
- 6. STEM as Theatre's New Patron
- Conclusion Diagnosing Academia's Theatrical Turn
- 1. The Humane Interventions of Karen Zacarias's Just Like Us
- 2. The Ambivalent Spotlight of the Theatrical Turn
- 3. Academic Drama as Pharmakon
- 4. Confessions of an Academic Theatre Interventionist
- 5. Framing Computer Science in Purely Academic
- 6. A Backstage Tour of the Nobel Prize in Margin of Error
- 7. STEM as Theatre's New Patron
- Index