Making It Heard: A History of Brazilian Sound Art

Contents

• List of Figures
• Foreword The Clash between Body and Artwork (Ricardo Basbaum, Fluminense Federal University, Brazil)
• Acknowledgements
• Introduction (Rui Chaves and Fernando Iazzetta, University of Sao Paulo, Brazil) Part One: Abre-Alas
• 1. Sounds from Elsewhere: Episodes for a History of Brazilian Sound Art (Fernando Iazzetta, University of Sao Paulo, Brazil)
• 2. Making Oneself Heard in Public, through Art and in Sound-Based Scholarship (Rui Chaves, University of Sao Paulo, Brazil) Part Two: Bateria
• 3. Music Is What I Make (Vivian Caccuri, Federal University of Rio de Janeiro, Brazil)
• 4. Radio Art, Cassette Culture, and Networked Artistic Practices: The International Ra(u)dio Art Show (IRAS) in Recife (Yuri Bruscky, Federal University of Pernambuco, Brazil) Part Three: Barracao
• 5. Gambiarra's Perspective (Giuliano Obici, Fluminense Federal University, Brazil)
• 6. Listening to the Debris: Brazilian Sound Art and the Low-Technology Economy (Andre Damiao, University of Sao Paulo, Brazil) Part Four: Avenida
• 7. Being in the Field: Process, Narrativity, and Discovery in the Field-Recording Work of Thelmo Cristovam and Alexandre Fenerich (Paulo Dantas, Federal University of the State of Rio de Janeiro, Brazil)
• 8. Other Paths to Sonic Cartographies: "Mapa Sonoro CWB" and Its Untethered Soundwalks (Thais Aragao, Federal University of Ceara, Brazil) Part Five: Batucada
• 9. Out of the Mainstream: Noise and Otherness in the Work of Marie Carangi, Paula Garcia, and Sofia Caesar (Lilian Campesato, University of Sao Paulo, Brazil)
• 10. Counter-Tradition: Toward the Black Vanguard of Contemporary Brazil (GG Albuquerque, Federal University of Pernambuco, Brazil)
• 11. Engaged Sonorities: Politics and Gender in the Work of Vanessa De Michelis (Tania Mello Neiva, Federal University of Paraiba, Brazil) Afterword: The Audibility of Brazilian Sound Art (Ana M. Ochoa Gautier, Columbia University, USA) List of
• Contributors
• Index