The Cambridge Companion to Music and Romanticism

Contents

• List of illustrations
• List of musical examples and tables
• List of contributors
• Preface
• Chronology
• Part I . Horizons:
• 1. Defining the indefinable: romanticism and music Benedict Taylor
• 2. The emergence of romanticism Keith Chapin
• Part II . Worlds:
• 3. Music in romantic literature and poetry Miranda Stanyon
• 4. Music, romantic landscape, and the visual Thomas Peattie
• 5. Romanticism, the folk, and musical nationalisms Matthew Gelbart
• 6. Music, romanticism, and politics Katherine Hambridge
• 7. Music and technology John Tresch
• 8. Music, magic, and the supernatural Francesca Brittan
• 9. A kingdom not of this world: music, religion, art-religion James Garratt
• Part III . Aesthetics:
• 10. Music in early German romantic philosophy Tomas McAuley
• 11. Meaning and value in romantic musical aesthetics Alexander Wilfing
• 12. Music and romantic interiority Holly Watkins
• 13. Music, expression, and the aesthetics of authenticity Karen Leistra-Jones
• Part IV . Practices:
• 14. Romantic languages Julian Horton
• 15. Romantic forms Steven Vande Moortele
• 16. Romanticism and the ideal of song Lisa Feurzeig
• 17. Music staged and unstaged Sarah Hibberd
• 18. Romanticism and performance Dana Gooley
• Part V . Histories:
• 19. Musical romanticism as a historiographical construct Nicole Grimes
• 20. The end(s) of musical romanticism Sebastian Wedler
• Select bibliography
• Index.