Roma Music and Emotion

Contents

• Foreword, by Steven Feld
• Acknowledgements
• Notes to the English edition
• Linguistic conventions
• Introduction
• Part 1: Musical emotions: When and why do they arise?
• Section 1: Performing for Others, Performing for Oneself
• Chapter 1: The professional ethics of the Roma musicians of Ceua?
• Chapter 2: Village Celebrations
• Chapter 3: How to make music work, how to arouse emotions
• Chapter 4: After the service time to party in tiganie
• Chapter 5: Other occasions when musical emotions can arise in tiganie
• Chapter 6: A musical experience of being inwardly torn apart
• Section 2: Performing for the dead, arousing pity in the living
• Chapter 7: Funerals and the politics of emotion
• Chapter 8: The soundscape of a funeral wake
• Part 2: Why do the Roma of Ceuas cry with music?
• Chapter 9: Musical emotions in the Roma community of Ceuas: a concentric model
• Chapter 10: Performing sorrow
• Chapter 11: Personal tunes
• Chapter 12: Being milos
• Chapter 13: What is musical empathy?
• Chapter 14: Towards an anthropological approach to musical empathy
• Conclusion
• Epilogue
• Glossary
• Bibliography
• Discography
• Filmography
• List of figures
• Index of Audiovisual documents
• Index