The Present and Future of Music Law

Contents

• Foreword Music Law: Music and the Law Peter Hook, Joy Division, New Order, University of Central Lancashire, UK Reflections by Tony Rigg, University of Central Lancashire, UK
• Introduction Music Law: Unravelling Complexities Ann Harrison, Partner SSB Solicitors Ltd, University of Central Lancashire, UK and Tony Rigg, University of Central Lancashire, UK
• Part I : Tensions Between the Rights of Copyright Owners and the Freedom to Create.
• 1. Copyright, Royalties and Industrial Decline Richard Osborne, Middlesex University, UK
• 2. Sampling Practice: The Threat of Copyright Management to Its Future (and Past) Justin Morey, Leeds Beckett University, UK
• 3. Emerging Frontiers: Platform regulation of mashups in and beyond an EU context Alan Hui, University of Oslo, Norway
• 4. Music Copyright, Creators and Fans: Enemies or Friends in the Digital Domain? Paul Oliver, Edinburgh Napier University, UK and Stefan Lalchev, University of West London, UK
• 5. Piracy Past, Present and Future & How the Recording Industry Can Disrupt, Mitigate and Innovate in Troubled Waters James Brandes, Digital Copyright Consultancy, UK
• Part II : Responding to the Needs of Music Business
• 6. Mediation and Arbitration: An Alternative Forum for Transnational Dispute Resolution in the Music Industries Metka Potocnik, University of Wolverhampton, UK
• 7. The Acoustic Trademark Katarzyna Krupa-Lipinska, Nicolaus Copernicus University, Poland
• 8. The Derivative Works Right and the Creative Epistemologies of the Other: Working towards a Legal Framework for Remix Lesley Model, University of Sussex, UK
• 9. The U.S. Compulsory License; A Lesson in Technological Development and Legislation Shaping the Music Market Ralph W Peer, Peermusic, USA
• Part III : The Developing Commercial Landscape
• 10. Blockchain: Hero or Hindrance for the Music Industry from a Legal Perspective Charlotte O'Mara, Partner Gunnercooke, UK
• 11. Greening the Live Music Industry Teresa Moore, A Greener Festival, UK
• 12. Branding and Endorsement: The Growing Importance of Branding and the Developing Legal Framework Emma Harding, Music Lawyer SSB Solicitors Ltd, UK
• 13. The Artist Manager Relationship Jules O'Riordan, a.k.a. Judge Jules, DJ, Producer and Partner Sound Advice LLP, UK and Leslie Gillon, University of Central Lancashire, UK