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Unbinding Gentility: Women Making Music in the Nineteenth-Century South

Unbinding Gentility: Women Making Music in the Nineteenth-Century South

  • Author: Bailey, Candace

Book

$157.50

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Contents

  • CoverTitleCopyrightContentsList of IllustrationsAcknowledgmentsAbbreviationsAuthor's NoteIntroduction: "One would like to know"
  • Part 1 . Social Diversity among Amateur Women Musicians
  • 1. "The circle in which you move": Gentility, Music, and White Women
  • 2. "Colored girls under the control of colored teachers": Gentility, Music, and Women of ColorPart
  • 2. Repertory
  • 3. "'Home, Sweet Home!' with brilliant variations": Melody
  • 4. "I have no time to tell you now half the enjoyment these operas have given us": Opera as Cultural CapitalPart
  • 3. Scientific Music and Professional Musicians
  • 5. "Distinguished success . . . in teaching Music as a science": Genteel Women Scientists
  • 6. "Of that ilk": Foreign Music Teachers and Genteel Pupils
  • 7. "A remarkable accomplishment for one of the gentle sex": Other ProfessionalsPart
  • 4. The Civil War
  • 8. "The female tribe as 'angels' on earth . . . is being . . . entirely dissipated": The Parlor and the Civil War
  • 9. "Many shades of caste and kind": The Civil War and the Public GazePart
  • 5. Women Musicians in the Reconstruction Era
  • 10. "She takes up music as a profession": Career Women
  • 11. "Beethoven wrote it-that is enough": Reconstructed Women Reconstructing RepertoryConclusion: "This old piece of music keeps her name like a flower pressed in a book"NotesBibliographyIndexBack cover