J. S. Bach at His Royal Instrument: Essays on His Organ Works

Contents

• INTRODUCTION
• ONE
• Studies and Discoveries
• TWO
• Bach and the Varied Stollen
• THREE
• Some Observations on Mendelssohn's Reception of Bach's Organ Works
• FOUR
• Bach's Organ Works and Schumann's Neue Zeitschrift
• FIVE
• Cesar Franck as a Receptor of Bach's Organ Works
• Franck's Performances of Bach's Organ Works
• Matters of Pedagogy
• Franck's Compositional Responses to Bach's Organ Works
• SIX
• Edward Elgar as a Receptor of Bach's Organ Works
• Elgar as Bach Interpreter
• Elgar as Bach Devotee and Bach Critic
• Elgar's Bach Transcriptions
• SEVEN
• Aspects of Reception from Bach's Day to the Present
• The Six Trio Sonatas, BWV 525-30
• The Prelude and Fugue in D Major, BWV 532
• The Prelude and Fugue in E Minor, BWV 533
• The Toccata and Fugue in F Major, BWV 540
• The Fantasy and Fugue in G Minor, BWV 542
• The Six Great Preludes and Fugues, BWV 543-48
• The Prelude and Fugue in E-flat Major, BWV 552
• The Toccata, Adagio, and Fugue in C Major, BWV 564
• The Toccata and Fugue in D Minor, BWV 565
• The Fantasy in G Major (Piece d'Orgue), BWV 572
• The Passacaglia in C Minor, BWV 582
• Ich ruf zu dir, Herr Jesu Christ, BWV 639
• Herzlich tut mich verlangen, BWV 727
• APPENDIX 1
• APPENDIX 2
• LITERATURE CITED