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Eros and Music in Early Modern Culture and Literature

Eros and Music in Early Modern Culture and Literature

  • Author: Bardelmann, Claire

Book

$54.75

Printed on demand

Estimated despatch time 7 - 10 days

Contents

  • Contents
  • Introduction 1
  • Part One: Architectonics
  • 'The Bond of All Things': Neoplatonic Ideas
  • of Eros and Music in the Early Modern Episteme
  • Theories of union: discourses of Eros and music
  • Classical and Christian theories of Eros and music
  • Speculative music and the Neoplatonic Eros as binding agents
  • Musical harmony in the microcosm and in the political body
  • Unity as poetic principle
  • 2 Empowering Eros: Embodied Harmonies and Erotic Mediation
  • Eros and music as mediating agents
  • Sensual love and practical music as educational agents
  • Practical music as love's preferred agent
  • The ambiguity of music's erotic agency
  • The dual agency of music and the erotic ear
  • 3 'Love's proper exercice': Eros and the dance
  • Erotic action and temperate dancing
  • The degradation of the cosmic dance:
  • "Sellenger's round, or The Beginning of the World"
  • The erotic dancing body
  • The ambivalent rhetorical status of the dancing body
  • 4 The Ambivalent Lute
  • The Orphic Lute
  • The Political Lute
  • The Erotic Lute
  • The Fair Lutenist
  • Part Two: Poetics
  • Ideas of Eros in the Early Modern Lute Ayre and Madrigal
  • The ethos of the musical genres and the two Eros
  • Ideas of Eros in madrigal and lute song lyrics
  • 'Infinite Volumes': Miscellanies of love
  • in Elizabethan madrigal and lute ayre lyrics
  • Neoplatonic ideas of love in the lyrics
  • The voice as erotic instrument
  • Rhetoric and eroticis
  • 6 Erotic and Rhetorical Trivializations of Music in the English Epyllion
  • Music and Eros in the English epyllion
  • Natural music and the harmonic world
  • Erotic trivializations of music in the epyllion
  • 'Love is forme': fiction and friction
  • Desire as Palimpsest, or the Myth of Philomel
  • in Shakespeare's The Rape of Lucrece and Titus Andronicus
  • Philomel as musical myth
  • Expressing the unspeakable: Lavinia as Philomel
  • Philomel, an 'innocent Siren'?
  • Philomel as Failed Orpheus: Dismembering the Body Politic
  • 8 Specularity or speculation? Echo and Eros in Venus and Adonis
  • Echo/echo and the music of the spheres
  • Transformative Encounters: Echo and the twofold nature of Eros 162 Echo and Eros in Venus and Adonis
  • The Speculating Echo
  • Conclusion
  • Notes
  • Selected Bibliography
  • Index