Eros and Music in Early Modern Culture and Literature
- Author: Bardelmann, Claire
Book
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Contents
- Contents
- Introduction 1
- Part One: Architectonics
- 'The Bond of All Things': Neoplatonic Ideas
- of Eros and Music in the Early Modern Episteme
- Theories of union: discourses of Eros and music
- Classical and Christian theories of Eros and music
- Speculative music and the Neoplatonic Eros as binding agents
- Musical harmony in the microcosm and in the political body
- Unity as poetic principle
- 2 Empowering Eros: Embodied Harmonies and Erotic Mediation
- Eros and music as mediating agents
- Sensual love and practical music as educational agents
- Practical music as love's preferred agent
- The ambiguity of music's erotic agency
- The dual agency of music and the erotic ear
- 3 'Love's proper exercice': Eros and the dance
- Erotic action and temperate dancing
- The degradation of the cosmic dance:
- "Sellenger's round, or The Beginning of the World"
- The erotic dancing body
- The ambivalent rhetorical status of the dancing body
- 4 The Ambivalent Lute
- The Orphic Lute
- The Political Lute
- The Erotic Lute
- The Fair Lutenist
- Part Two: Poetics
- Ideas of Eros in the Early Modern Lute Ayre and Madrigal
- The ethos of the musical genres and the two Eros
- Ideas of Eros in madrigal and lute song lyrics
- 'Infinite Volumes': Miscellanies of love
- in Elizabethan madrigal and lute ayre lyrics
- Neoplatonic ideas of love in the lyrics
- The voice as erotic instrument
- Rhetoric and eroticis
- 6 Erotic and Rhetorical Trivializations of Music in the English Epyllion
- Music and Eros in the English epyllion
- Natural music and the harmonic world
- Erotic trivializations of music in the epyllion
- 'Love is forme': fiction and friction
- Desire as Palimpsest, or the Myth of Philomel
- in Shakespeare's The Rape of Lucrece and Titus Andronicus
- Philomel as musical myth
- Expressing the unspeakable: Lavinia as Philomel
- Philomel, an 'innocent Siren'?
- Philomel as Failed Orpheus: Dismembering the Body Politic
- 8 Specularity or speculation? Echo and Eros in Venus and Adonis
- Echo/echo and the music of the spheres
- Transformative Encounters: Echo and the twofold nature of Eros 162 Echo and Eros in Venus and Adonis
- The Speculating Echo
- Conclusion
- Notes
- Selected Bibliography
- Index