Innovation in Music: Future Opportunities
- Editor: Hepworth-Sawyer, Russ
- Editor: Paterson, Justin
- Editor: Toulson, Rob
Book
$84.75Out of Stock
Contents
- Part I Music production innovation
- 1. Country & Eastern: Contextual and cultural mediation in the recording studio - two producers, two artists, two cultures
- 2. Defining and developing a sonic signature in music mixing: A practice-based approach as modern-day studio mentorship
- 3. Making records within records: Manufacturing phonographic 'otherness' in sample-based Hip Hop production
- 4. Motormouth: An essay in sonic recontextualization
- 5. The Individualist: Todd Rundgren's approach to innovation and his 1993 interactive album No World Order
- 6. Ground control and cloud booths: Using Dante to break geographical barriers to music production
- 7. Music production utilising Internet of Things technologies
- PART II Music technology innovation
- 8. development of an Ambisonic Guitar System
- 9. Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study
- 10. Improvising song writing and composition within a hybrid modular synthesis system
- 11. Speaker Park: An intersection of loudspeaker design and post-acousmatic composition
- 12. Sound objects: Exploring procedural audio for theatre
- 13. Hearing and feeling memories: Connecting image, sound and haptic feedback to create a multisensory experience of
- photographs
- 14. Concepts for the design of accessible music technology
- 15. Security engineering in the arts
- PART III Performance innovation
- 16. Transparency and authenticity in the live arena: An exploration of electronic music performance techniques
- 17. BTS' "Speak Yourself" world tour as an intermedial spectacle of attachment
- 18. A review of contemporary practices incorporating digital technologies with live classical music
- 19. Free ensembles and small (chamber) orchestras as innovative drivers of classical music in Germany
- 20. Transforming musical performance: Activating the audience as digital collaborators
- 21. The online composer-audience collaboration
- 22. New instruments as creativity triggers in composer-performer collaboration
- 23. "My avatar and me": Technology-enhanced mirror in monitoring music performance practice
- 24. Creative considerations for on-screen visuals in electronic pop music performances
- PART IV Music business and artist development innovation
- 25. Towards a quantum theory of musical creativity
- 26. Observing mood-based patterns and commonalities in music using machine learning algorithms
- 27. The role of contests and talent shows as part of the artist development process within the music industry
- 28. Music: Leeds - supporting a regionalised music sector and scene