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Innovation in Music: Future Opportunities

Innovation in Music: Future Opportunities

  • Editor: Hepworth-Sawyer, Russ
  • Editor: Paterson, Justin
  • Editor: Toulson, Rob

Book

$84.75

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Out of Stock

Contents

  • Part I Music production innovation
  • 1. Country & Eastern: Contextual and cultural mediation in the recording studio - two producers, two artists, two cultures
  • 2. Defining and developing a sonic signature in music mixing: A practice-based approach as modern-day studio mentorship
  • 3. Making records within records: Manufacturing phonographic 'otherness' in sample-based Hip Hop production
  • 4. Motormouth: An essay in sonic recontextualization
  • 5. The Individualist: Todd Rundgren's approach to innovation and his 1993 interactive album No World Order
  • 6. Ground control and cloud booths: Using Dante to break geographical barriers to music production
  • 7. Music production utilising Internet of Things technologies
  • PART II Music technology innovation
  • 8. development of an Ambisonic Guitar System
  • 9. Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study
  • 10. Improvising song writing and composition within a hybrid modular synthesis system
  • 11. Speaker Park: An intersection of loudspeaker design and post-acousmatic composition
  • 12. Sound objects: Exploring procedural audio for theatre
  • 13. Hearing and feeling memories: Connecting image, sound and haptic feedback to create a multisensory experience of
  • photographs
  • 14. Concepts for the design of accessible music technology
  • 15. Security engineering in the arts
  • PART III Performance innovation
  • 16. Transparency and authenticity in the live arena: An exploration of electronic music performance techniques
  • 17. BTS' "Speak Yourself" world tour as an intermedial spectacle of attachment
  • 18. A review of contemporary practices incorporating digital technologies with live classical music
  • 19. Free ensembles and small (chamber) orchestras as innovative drivers of classical music in Germany
  • 20. Transforming musical performance: Activating the audience as digital collaborators
  • 21. The online composer-audience collaboration
  • 22. New instruments as creativity triggers in composer-performer collaboration
  • 23. "My avatar and me": Technology-enhanced mirror in monitoring music performance practice
  • 24. Creative considerations for on-screen visuals in electronic pop music performances
  • PART IV Music business and artist development innovation
  • 25. Towards a quantum theory of musical creativity
  • 26. Observing mood-based patterns and commonalities in music using machine learning algorithms
  • 27. The role of contests and talent shows as part of the artist development process within the music industry
  • 28. Music: Leeds - supporting a regionalised music sector and scene