Media, Materiality and Memory: Grounding the Groove

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Contents: Introduction: music, material culture and archaeologies
Sarah Records (1987-1995) and the everyday
Ghost Box Records (2004-): materiality, technological mediation and the birth of ghosts
From collecting to curating and reissuing the recorded past: Finders Keepers (2004-) and reissue record labels
YouTube archivists, e-collectors and digital flaneurs: the internet and the future of phonography
Conclusion: the afterlife of music objects
Select bibliography
Index.

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Media, Materiality and Memory: Grounding the Groove examines the entwinement of material music objects, technology and memory in relation to a range of independent record labels, including Sarah Records, Ghost Box and Finders Keepers. Moving from Edison’s phonograph to digital music files, from record collections to online archives, Roy argues that materiality plays a crucial role in constructing and understanding the territory of recorded sound. How do musical objects ‘write’ cultural narratives? How can we unearth and reactivate past histories by looking at yesterday’s media formats? What is the nature, and fate, of the physical archive in an increasingly dematerialized world? In what ways do physical and digital musical objects coexist and intersect? With its innovative theoretical approach, the book explores the implications of materialization in the fashioning of a musical world and its cultural transmission. A substantial contribution to the field of music and material culture studies, Media, Materiality and Memory also provides a nuanced and timely reflection on nostalgia and forgetting in the digital age.

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