Sound Communities in the Asia Pacific: Music, Media, and Technology

Contents

• List of Figures List of
• Contributors
• Acknowledgements
• Introduction Musical Media in the Asia Pacific Lonan O Briain, University of Nottingham, UK, and Min Yen Ong, University of Cambridge, UK PART ONE Vocalizing Community
• 1. Getting Our Voices Heard: Radio Broadcasting and Secrecy in Vanuatu Monika Stern, CNRS, France
• 2. Sounding an Indigenous Domain: Radio, Voice, and Lisu Media Evangelism Ying Diao, Max Planck Institute for the Study of Religious and Ethnic Diversity, Germany
• 3. Narrowcasting into the Infinite Margins: Internet Sonorities of Transient Indonesian Domestic Workers in Singapore Shzr Ee Tan, Royal Holloway, University of London, UK PART TWO Transforming Tradition
• 4. Harmonies for the Homeland: Traditional Music and the Politics of Intangible Cultural Heritage on Vietnamese Radio Lonan O Briain, University of Nottingham, UK
• 5. Mediation of Tradition: Television and Studio Productions of Khmer Music in Cambodia Francesca Billeri, SOAS, University of London, UK
• 6. Going with the Flow: Livestreaming and Korean Wave Narratives in P'ansori Anna Yates-Lu, Seoul National University, South Korea PART THREE Sounding Authority
• 7. North Korea: Controlling the Airwaves and Harmonizing the People Keith Howard, SOAS, University of London, UK
• 8. The Party and the People: Shifting Sonic Politics in Post-1949 Tiananmen Square Joseph Lovell, University of California, Santa Barbara, USA
• 9. Broadcasting Infrastructures and Electromagnetic Fatality: Listening to Enemy Radio in Socialist China Hang Wu, McGill University, Canada PART FOUR Performing Activism
• 10. "Change the World Gently with Singing": Queer Audibility and Soft Activism in China Hongwei Bao, University of Nottingham, UK
• 11. Sounds of Political Reform: Indie Rock in Late New Order Indonesia M. Rizky Sasono, University of Pittsburgh, USA
• 12. Finding Agency in Hawaiian Online Collaborative Music Videos: Reclaiming Kaulana Na Pua in a Contemporary Context Min Bee, University of Cambridge, UK, and Jordan Anthony Kapono Bee, Independent Scholar
• Index