Classical Concert Studies: A Companion to Contemporary Research and Performance

Contents

• List of figures
• List of tables
• Acknowledgments
• List of contributors
• Concert Studies
• Martin Troendle and Esther Bishop
• I. The Concert as an Event
• 1. A Concert Theory
• Martin Troendle
• 2. Music as Text, Music as Performance
• Nicholas Cook
• 3. 4'33": The Concert as a Performative Moment
• Jens Roselt
• 4. The Discovery of Listening in the Concert
• Gerhard Schulze
• 5. Between Formalization and Exaggeration: An Ethnomusicological Perspective
• Raimund Vogels
• 6. Concert Formats: Liturgy-Ritual-Power?
• Elena Ungeheuer
• II. Programs, Formats, and Media
• 7. From Program Leaflets to Listening Apps: A Brief History of Guided Listening
• Christian Thorau
• 8. Space, Light, Proximity: Aspects of Historical Performance Practice
• Beatrix Borchard
• 9. Preludes, Fantasias, and Collages: Improvisation, a Forgotten Art in the Classical Concert
• Maria I. J. Reich
• 10. Concert Design: Form Follows Function
• Folkert Uhde
• 11. Musical Curator and Concert Director
• Markus Fein
• 12. The Yellow Lounge Reinvents the Concert Forum
• David Canisius in conversation with Martin Troendle
• 13. Strategies for the Production of Presence
• Matthias Rebstock
• III. Space-Sound-Instruments
• 14. Noise and Sound
• The Historicity and Sociability of the Senses
• Steffen Hoehne
• 15. From Sound to Noise: The History of Hearing in the Nineteenth and Early Twentieth Centuries
• Peter Payer
• 16. The Soundscape of Vienna: Pictorial Essay
• Martin Troendle
• 17. The Cultural Dimensions of Atmospheres: Sociological Observations of the Resonanzraum in Hamburg
• Hanna Katharina Goebel
• 18. A Sociological Reflection on the Concert Venue
• Volker Kirchberg
• 19. Cinema for the Ears: Technical Developments in Acoustics and Loudspeaker Systems
• Ludger Brummer
• 20. Digital Encore: Virtualization, Live Coding, and New Interfaces
• Dennis Kastrup
• IV. The Audience and the Musicians
• 21. Between Audience Decline and Audience Development: Perspectives on the Professional Musician, Music Education, and Cultural Policy
• Heiner Gembris and Jonas Menze
• 22. Musical, Social, and Moral Dilemmas: Investigating Audience Motivations to Attend Concerts
• Stephanie Pitts
• 23. Studying Music . . . And Then What?
• Esther Bishop
• 24. "Playing Concerts Is Not Enough": On the Identity of the Deutsche Kammerphilharmonie Bremen
• Albert Schmitt in conversation with Martin Troendle
• 25. Women in Music Culture: A History of (Non-)Participation?
• Susanne Rode-Breymann
• 26. The Konzerthaus Berlin: A Concert Hall in Transition
• Sebastian Nordmann in conversation with Martin Troendle
• 27. Audience Development and Engagement
• Constanze Wimmer
• V. Economy and Policy
• 28. The Influence of Economic Variables in the Concert Industry
• Michael Hutter
• 29. Roll Over Beethoven . . .: Notes on Concerts under Conditions of the Culture Industry
• Roger Behrens
• 30. The Dematerialization of Music: How Streaming Technology Impacts Music Production and Consumption
• Lukas Krohn-Grimberghe
• 31. The "New Classic"
• Christian Kellersmann
• 32. Actors in the Classical Music Business: A Media Discourse Analysis
• Markus Rhomberg and Martin Troendle
• VI. Concert Research
• 33. A Manifesto of Concert Culture
• Steven Walter
• 34. Concerto21: A Didactic Introduction for Concert Development
• Martin Troendle
• 35. The Researching Orchestra: Innovative Collaborations between Symphonic Orchestras and Knowledge Institutions
• Peter Peters, Stefan Rosu, and Ruth Benschop
• 36. The Classical Concert as an Object of Empirical Aesthetics
• Christoph Seibert, Jutta Toelle, and Melanie Wald-Fuhrmann
• Index