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Gender in Music Production

Gender in Music Production

  • Editor: Hepworth-Sawyer, Russ
  • Editor: Hodgson, Jay
  • Editor: King, Liesl
  • Editor: Marrington, Mark

Book

$239.00

Printed on demand

Estimated despatch time 7 - 10 days

Contents

  • List of Contributors
  • Chapter 1: Gender In Music Production- An Introduction
  • Russ Hepworth-Sawyer, Liesl King & Mark Marrington
  • Part I: History and Context
  • Chapter 2: Mark Marrington, Women in music production: a contextualized history from the 1890s to the 1980s
  • Chapter 3: Marco Antonio Juan de Dios Cuartas, The role of women in music production in Spain during the 1960s: Maryni Callejo and the "Brincos Sound"
  • Chapter 4: Gurutze Lasa Zuzuarregui, The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa
  • Chapter 5: Rebekka Kill, "Hey boy, hey girl, superstar DJ, here we go..." :exploring the experience of female and non binary DJs in the UK music scene.
  • Chapter 6: Javier Campos Calvo-Sotelo, She plays the pipe. Galician female bagpipers in the production of local tradition and gender identity
  • Chapter 7: Kirsty Fairclough, Rare Birds: Prince, Gender and Music Production
  • Part II: Women in the Studio
  • Chapter 8: Henrik Marstal, Slamming the door to the recording studio - or leaving it ajar?
  • Chapter 9: Sergio Pisfil, Interview with Betty Cantor Jackson
  • Chapter 10: Liesl King, Twists in the Tracks: An interview with singer, composer, and sound producer Aynee Osborn Joujon Roche
  • Part III: Personal Perspectives
  • Chapter 11: Svjetlana Bukvich, Women in audio: trends in New York through the perspective of a civil war survivor
  • Chapter 12: Julianne Regan, Three Pronged Attack: The pincer movement of gender allies, tempered radicals and pioneers.
  • Chapter 13: Louise M. Thompson, Gender in Music Production: Perspective Through a Female and Feminine Lens
  • Part IV: Industrial Evolution
  • Chapter 14: Jude Brereton, Helena Daffern, Kat Young, Michael Lovedee-Turner, Addressing gender equality in Music Production: current challenges, opportunities for change and recommendations
  • Chapter 15: Sharon Jagger and Helen Turner, The Female Music Producer and the Leveraging of Difference
  • Chapter 16: Liz Dobson, Conversations in Berlin: discourse on gender, equilibrium and empowerment in audio production
  • Index