Made in Germany: Studies in Popular Music

Contents

• Introduction Deutschland - Echt jetzt? German Popular Music's Complicated Relationship with German Identity Oliver Seibt, Martin Ringsmut, and David-Emil Wickstro m / Interview: Rocking the Academy? Two Cold-War Careers and the Emergence of Popular Mus
• Part I : Historical Spotlights / 1: Transnational Networks and Intermedial Interfaces in German Popular Music, 1900-1939 Caroline Stahrenberg / 2: Nazis and Quiet Sounds: Popular Music, Simulated Normality, and Cultural Niches in the Terror Regime, 1933
• Part II : Globally German / 5: The Krauts Are Coming: Electronic Music and Rock in the 1970s Ulrich Adelt / 6: German Metal Attack: Power Metal in and from Germany Jan-Peter Herbst / 7: German Longings: A Dialogue on the Promises and Dangers of Nation
• Part III : Also "Made in Germany" / 8: Peepl rock: Post-Soviet Popular Music in Germany David-Emil Wickstro m / 9: Made in Almanya: The Birth of Turkish Rap Thomas Solomo / 10: G.I. Blues and German Schlager: The Politics of Popular Music in Germany d
• Part IV : Explicitly German / 11: Neue Deutsche Welle: Tactical Affirmation as a Strategy of Subversion Barbara Hornberger / 12: "One Day You Will Wish We'd Only Played Music": Some Remarks on Recent Developments of Germany's RechtsRock Scene Thorsten
• Part V : Reluctantly German / 14: "Meine Lieder sind anders": Hildegard Knef and the Idea(l) of German Chanson Renei Michaelsen / 15: How Munich and Frankfurt Brought (Electronic) Dance Music to the Top of the International Charts with Eurodisco and Eur
• Bibliography