The Routledge Companion to Applied Performance: Volume One – Mainland Europe, North and Latin America, Southern Africa, and Australia and New Zealand

Contents

• Introduction to Volume One
• Part I: Australia and New Zealand
• Introduction to Part I: 'Considering the ethics of representation in applied theatre'.
• Helen Cahill & Peter O'Connor
• Chapter 1: 'Identifying and understanding the notion of quality within an applied theatre project designed to playfully engage people living with dementia'.
• Julie Dunn & Michael Balfour
• Chapter 2: 'Repairing the evil: Staging Puppet Antigone (2017) at Auckland Prison'.
• Rand Hazou
• Chapter 3: 'Taurima Vibes: Economies of manaakitanga and care in Aotearoa New Zealand'.
• Molly Mullen & Borni Te Rongopai Tukiwaho
• Chapter 4: 'Small acts at the margins: Making theatre work at cross-cultural intersections'.
• Linden Wilkinson
• Chapter 5: 'The art of listening in prison: Creating audio drama with incarcerated women'.
• Sarah Woodland
• Part II: The Balkans
• Introduction to Part II and III: 'Memory, identity, and the (ab)use of representation'.
• Kirsten Sadeghi-Yekta & Darko Lukic
• Chapter 6: 'Performing otherness: the representation of invisible communities in post-conflict and post-communist societies: Croatian example'.
• Darko Lukic
• Chapter 7: 'The bridge to hope: Applied theatre in post-war Bosnia and Herzegovina'.
• Sead Dulic
• Chapter 8: 'Theatre against violence, action in classrooms'.
• Ines Skuflic Horvat, Maja Sviben, & Nina Horvat
• Chapter 9: Interview with Vladimir Krusic: Theatre and drama in education.
• Darko Lukic
• Chapter 10: 'In search of polyphonic concepts of participatory theatre and art for social change: Almost half a century of engagement'.
• Ljubica Beljanski-Ristic
• Chapter 11: 'Giving voice to the voiceless: Raising awareness and spurring debate on the Homeland War (1991-1995) in Croatian theatre'.
• Nikolina Zidek
• Part III: North America
• Chapter 12: 'Examining the ethics of research-based theatre through Contact! Unload'.
• George Belliveau, Susan Cox, Jennica Nichols, Graham W. Lea & Christopher Cook
• Chapter 13: 'We are here: Glyphing a re-creation story through waterways, bloodlines constellations'.
• Jill Carter
• Chapter 14: Applied performance practices of therapeutic clowns: A curated conversation with Helen Donnelly.
• Julia Gray, Jenny Setchell, & Helen Donnelly
• Chapter 15: 'Playback Theater conductor as ritual guide: The artful and sensitive job of extracting personal stories'.
• Hannah Fox
• Chapter 16: 'Theatre to address social justice issues with gatekeepers in Canada'.
• Lauren Jerke & Warwick Dobson
• Chapter 17: 'Tensions of engagement: Oscillating between distance and implication'.
• Yasmine Kandil
• Chapter 18: 'Questioning social justice: A dialogue on performance, activism and being in-between'.
• Asif Majid & Elena Velasco
• Chapter 19: 'Timely homecomings'.
• Carrie MacLeod
• Chapter 20: 'The arrivals legacy process: Reviving Ancestral stories of recovery and return'.
• Diane Roberts
• Chapter 21: 'Applying Hamilton'
• Hana Worthen
• Part IV: Latin America
• Introduction to Part IV: Applied performance in Latin America.
• Paloma Carpio & Rodrigo Benza
• Chapter 22: 'The body, women, and performance art in Latin America'.
• Josefina Alcazar
• Chapter 23: 'Dance as a tool for the construction of peace and identity'.
• Ana Carolina Avila
• Chapter 24: 'We play as we mean to resist: Theatre games as political participation'.
• Matthew Elliott
• Chapter 25: 'Communal living culture: From the many to the few, from the few to the many'.
• Ivan Nogales & Paloma Carpio
• Chapter 26: 'Latent conflict orlLatency in conflict: The liminal space between art actions and the Chilean civic-military dictatorship'.
• Andres Grumann Soelter & Francisco Gonzales Castro
• Chapter 27: 'The community and its gaze: Argentine community theater'.
• Edith Scher
• Chapter 28: 'Three community experiences and a resignation'
• Rafael Murillo Selva
• Part V: Southern Africa
• Introduction to Part V: Applied performance in Southern Africa
• Alexandra Sutherland
• Chapter 29: ' Romio ndi Julieti (Romeo and Juliet): Chichewa language production of a serious drama'.
• Amy Bonsall
• Chapter 30: 'Rituals (2010) as a counter narrative of healing and reconciliation in Zimbabwe'.
• Kelvin Chikonzo & Ruth Makumbirofa
• Chapter 31: 'Dear Mr Government'.
• Jessica Lejowa, Bongile Lecoge-Zulu and Cherae Halley
• Chapter 32: 'Applied performance as a space to address issues affecting girls and young women in Zimbabwe: A case study of Rachel 19'.
• Cletus Moyo & Nkululeko Sibanda
• Chapter 33: 'Applied arts in business contexts: Selling out to the oppressor or doing transformational work?'
• Petro Janse van Vuuren
• Part VI: Western Europe
• Introduction to Part VI: 'Care for the Open: intercultural challenges and transcultural potential of applied performances in Western Europe'.
• Julius Heinicke
• Chapter 34: 'Realistic art and the creation of artistic truth'.
• Rolf Bossart
• Chapter 35: 'Artistic creation and participation in Portugal and Brazil: The urgencies of today'.
• Hugo Cruz
• Chapter 36: 'Core of Nordic applied theatre: Challenges in a subarctic area'.
• Riike Gurgens Gjaerum
• Chapter 37: 'Youth transformation in search of freedom'.
• Maria Kwiatek
• Chapter 38: ' Legami in spazi aperti (Bonds in Open Spaces)'.
• Giulia Innocenti Malini
• Chapter 39: 'Exploring dramaturgy in participatory refugee theatre as a dialogical art practice: Dialogical tensions in a temporary relational playground'.
• Sofie de Smet, Lucia De Haene, Cecile Rousseau, & Christel Stalpaert
• Chapter 40: 'The right artistic solution is just the beginning'.
• Lene Thiesen
• Index