Book
$191.75Out of stock at the UK distributor
Contents
- Preface - Jeremy Yudkin
- Introduction - Jeremy Yudkin
- PART ONE: A Creative Life
- Of Deserters and Orphans: Beethoven's Early Exposure to the Operas-comiques of Monsigny - Steven Moore Whiting
- "A really excellent and capable man": Beethoven and Johann Traeg - David Wyn Jones
- A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven's Circle of Friends in Bonn, and a Corrected Edition of the Song Ruf vom Berge, WoO 147 - Michael Ladenburger
- "Where Thought Touches the Blood": Rhythmic Disturbance as Physical Realism in Beethoven's Creative Process - Bruce Adolphe
- The Sanctification of Beethoven in 1828 - Christopher Reynolds
- PART TWO: Prometheus/"Eroica"
- The Prometheus Theme and Beethoven's Shift from Avoidance to Embrace of Possibilities - Alan Gosman
- Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity - William Kinderman
- 'Mit Verstarkung des Orchesters': The Orchestra Personnel at the First Public Performance of Beethoven's Eroica - Theodore Albrecht
- PART THREE: Masses
- "Aber lieber Beethoven, was haben Sie denn wieder da gemacht?": Observations on the Performing Parts for the Premiere of Beethoven's Mass in C, Op. 86? - Jeremiah McGrann
- Heart to Heart: Beethoven, Archduke Rudolph, and the Missa Solemnis - Mark Evan Bonds
- God and the Voice of Beethoven - Scott Burnham
- PART FOUR: Quartets
- 'So Here I Am, in the Middle Way': The Autograph of the "Harp" Quartet and the Expressive Domain of Beethoven's Second Maturity - M. Lucy Turner
- Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127 - Nicholas Kitchen
- The Autograph Score of the Slow Movement of Beethoven's Last Quartet, Op. 135 - Barry Cooper
- Early German-Language Reviews of Beethoven's Late String Quartets - Robin Wallace
- PART FIVE: Explorations
- Three Movements or Four? The Scherzo Movements in Beethoven's Early Sonatas - Erica Buurman
- Utopia and Dystopia Revisited: Contrasted Domains in Beethoven's Middle-Period F-Major and F-minor Works - Barbara Barry
- Schooling the Quintjager - David Levy
- Cue-Staff Annotations in Beethoven's Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Op. 101 - Federica Rovelli
- 'Another Little Buck out of Its Stable' - Richard Kramer
- Beethoven's Cavatina, Haydn's Seasons, and the Thickness of Inscription - Elaine Sisman