Digital Music Distribution: The Sociology of Online Music Streams

Contents

• DIGITAL MUSIC DISTRIBUTION: *
• The sociology of online music streams *
• Hendrik Storstein Spilker *
• Table of contents *
• Acknowledgements *
• CHAPTER 1 *
• Introduction: Digital Dramas *
• Music On Demand? *
• The Folding of Technologies *
• Into and Beyond "The Piracy Wars" *
• CHAPTER 2: *
• Not only about listening: Understanding the new everyday life of music *
• Perspectives on the Appropriation of Digital Music *
• Analyzing youth *
• The omnipresence and omni-interest in music *
• Top ten music-related practices *
• You can always get what you want? *
• CHAPTER 3 *
• The value of access: Negotiating file-sharing and streaming among youth and with parents *
• Domesticating controversial technologies *
• Piracy as morality and rebellion *
• Digital music technologies as generational boundary markers and asymmetries *
• Reflections on piracy and legality *
• Together in crime? *
• Music in context - negotiating other ICT's *
• An access culture? *
• CHAPTER 4 *
• In search of the "hacker-punk": Digital music technologies for countercultural measures? *
• The promises of Punk Style Do-it-yourself *
• The Quest for the Hacker Punk *
• What is so Punk about Punk? *
• The Digitalized Underground *
• In Search of the Hacker Punk *
• The Gap between Near and Bin(e)ary Things *
• The Unruliness of Technology *
• CHAPTER 5: *
• Pre-distribution networks and professional networks: Becoming an artist in the age of "piracy cultures" *
• Of Network Studios and Piracy Cultures *
• Assembling Work *
• A Visit to the Network Studio *
• Being Within or Without the Music Industry? *
• The Pre-Distribution Network and the Professional Network *
• Hail to the Album! *
• CHAPTER 6 *
• The irony of virtuality: The production of music and news in "the new economy" *
• The contents of "the new economy" *
• Network society or Internet society? *
• A prehistory of digital news and music *
• Ensure control over the resources *
• Gain entry to the networks *
• Gain entry to the networks #part 2 *
• Ensure control #part 2 *
• The new economy: a parasitic economy? *
• The irony of virtuality *
• CHAPTER 7 *
• The making of "piracy standards": Assessing the interplay between commercialism and idealism in technology development *
• The Interplay between Idealism and Commercialism *
• The Movement of Technologies Across Time and Space *
• MP3's Route to Dominance *
• DivX: The MP3 of Video? *
• The power of the piracy-entrepreneur nexus *
• CHAPTER 8 *
• Media kills music? An Analysis of the Newspaper Coverage of the Piracy Kills Music Campaign *
• The Fourth Music Estate? *
• Understanding the Role of the Media in the Piracy Controversies *
• Identifying frames *
• Qualitative Framing Analysis *
• The-support-and-help-the-industry-frame *
• The-dying-dinosaur-frame *
• The-head-in-the-sand-frame *
• The-hopeless-and-desperate-frame *
• The most-successful-campaign-of-all-time-frame *
• Quantitative Framing Analysis *
• - Wasn't much help to get... *
• CHAPTER 9: *
• The regulation of digital music distribution: Assessing the states and futures of the field *
• Introducing five regulatory models *
• 1. The partly obviation of the ownership model *
• 2. The hope and heath of the access model *
• 3. The professionalization of the alternative revenue model *
• 4. The remix model as ideology and practice *
• 5. The radical and the limited compensation model *
• The manifold roles of music, musicians and music-users *
• CHAPTER 10 *
• The Music Welfare State *
• Folding Revisited *
• Programs, Antiprograms, Circumventions, Ramifications... *
• The Old and the New Divide *
• The Triumph of Piracy *
• The Technological Empire *
• A State of Balance? *
• References *