Made in Hong Kong: Studies in Popular Music

Contents

• Introduction
• Mainstreaming Hong Kong Popular Music
• ANTHONY FUNG & ALICE CHIK
• PART I: CANTOPOP, HISTORY, AND LEGACY
• Mapping sociopolitical and cultural changes through "The Daughters of Hong Kong:" From Anita Mui to Denise Ho
• VICKY HO & MIRANDA MA
• Once upon a time in Hong Kong Cantopop: 1984
• YIU-WAI CHU
• Pax Musica & Mnets: Cantopop-Kpop convergences and inter-Asia cultural mobilities
• KAI KHIUN LIEW & MEICHENG SUN
• Voices shaped by the people and for the people: Cantopop and political crisis from the colonial to postcolonial era
• STELLA LAU & IVY MAN
• PART II: GENRES, FORMAT, AND IDENTITY
• The symbolism sound of Cantopop: Relistening to "The Fatal Irony" (1974)
• TING YIU WONG
• Rethinking Chineseness in the Cantopop of Sam Hui
• BRENDA CHAN
• Alternative music, language, and "Hong Kong" identity: The use of metaphor in English lyrics of Hong Kong independent music
• LOK MING ERIC CHEUNG
• Covers and "One Melody, Two Lyrics" Songs
• JOHNSON LEOW
• PART III: SIGNIFICANT ARTISTS
• Love songs from an island with blurred boundaries: Teresa Teng's anchoring and wandering in Hong Kong
• CHEN-CHING CHENG
• Remembering Hong Kong as a queer metaphor: Leslie Cheung's queer performativity and posthumous networked fandom
• HONG-CHI SHIAU
• Hong Kong is (no longer) my home: From Sam Hui to My Little Airport
• MILAN ISMANGIL
• MC Yan and his Cantonese conscious rap
• ANGEL M. Y. LIN
• PART IV: CONTEMPORARY CANTOPOP
• Snapshots of multilingualism in Hong Kong popular music
• PHIL BENSON & ALICE CHIK
• Our Little Twins Stars: Conglomerate-catalyzed cross-media stardom in the new millennium
• KLAVIER J. WANG & STEPHANIE NG
• Performing the political: Reflections on Tatming meeting George Orwell in 2017
• YIU FAI CHOW, JEROEN de KLOET & LEONIE SCHMIDT
• The politicization of music through nostalgic mediation: The memory in "Boundless Oceans, Vast Skies"
• JESSICA KONG & ANTHONY FUNG
• CODA
• The globo-regional and the local in Hong Kong popular music
• C. J. W.-L. WEE
• Afterword
• Cantopop is always hybrid: A conversation with Serina Ha