Digital Music Distribution: The Sociology of Online Music Streams

Contents

• DIGITAL MUSIC DISTRIBUTION: *
• The sociology of online music streams *
• Hendrik Storstein Spilker *
• Table of contents *
• Acknowledgements *
• CHAPTER 1 *
• Introduction: Digital Dramas *
• Music On Demand? *
• The Folding of Technologies *
• Into and Beyond "The Piracy Wars" *
• CHAPTER 2: *
• Not only about listening: Understanding the new everyday life of music *
• Perspectives on the Appropriation of Digital Music *
• Analyzing youth *
• The omnipresence and omni-interest in music *
• Top ten music-related practices *
• You can always get what you want? *
• CHAPTER 3 *
• The value of access: Negotiating file-sharing and streaming among youth and with parents *
• Domesticating controversial technologies *
• Piracy as morality and rebellion *
• Digital music technologies as generational boundary markers and asymmetries *
• Reflections on piracy and legality *
• Together in crime? *
• Music in context - negotiating other ICT's *
• An access culture? *
• CHAPTER 4 *
• In search of the "hacker-punk": Digital music technologies for countercultural measures? *
• The promises of Punk Style Do-it-yourself *
• The Quest for the Hacker Punk *
• What is so Punk about Punk? *
• The Digitalized Underground *
• In Search of the Hacker Punk *
• The Gap between Near and Bin(e)