Claudio Monteverdi: A Research and Information Guide

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Preface
Acknowledgements
Introduction: Monteverdi in His World and Ours
Abbreviations
Monteverdi: A Chronology
1. Reference
General Reference
Monteverdi Reference
Catalogs of Monteverdi's Music
Monteverdi's Letters, Documents, and Writings
2. Collections of Essays and Conference Proceedings
3. Studies of Monteverdi's Life and Works
Specialized Studies
Studies of Documents and Sources
Iconography
4. Claudio's Brother: Giulio Cesare Monteverdi
5. Theory and Aesthetics
Theoretical Contexts
Aesthetics and Debates on the seconda pratica
6. Canzonetta and Madrigal Books
Secular Song around 1600
Monteverdi as Madrigalist
Monteverdi in Relation to His Contemporaries
Monteverdi's Poetic Choices
Madrigali, Libri I-III
Madrigali, Libro IV-V
Scherzi musicali (1607)
Madrigali, Libro VI
Madrigali, Libro VII
Scherzi musicali (1632)
Madrigali guerrieri et amorosi, Libro VIII
Madrigali, Libro IX
Spiritual Madrigals and Contrafacta
7. Dramatic Works
General Studies of Early Opera
Venetian Opera and Opera in Venice
Studies of Monteverdi's Dramatic Works
L'Orfeo (1607)
Arianna (1608) and the Lament Tradition
Il ritorno d'Ulisse in patria (1639-40)
Le nozze d'Enea (1640-1)

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Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi’s music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.

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