Decentering the Nation: Music, Mexicanidad, and Globalization

Contents

• Foreword by Chela Sandoval Introduction: Post-Mexicanidad apropos of the Postnational by Jesus A. Ramos-Kittrell
• 1. Afrodiasporic Visual and Sonic Assemblages: Racialized Anxieties and the Disruption of Mexicanidad in Cine de Rumberas by Laura G. Gutierrez
• 2. The Danza de Inditas in the Mexican Huasteca Region: Decolonizig Nationalist Discourse by Lizette Alegre Gonzalez
• 3. Chavela's Frida: Decolonial Performativity of the Queer Llorona by Ana R. Alonso-Minutti
• 4. Vaquero World: Queer Mexicanidad, Trans Performance, and the Undoing of Nation by Nadine Hubbs
• 5. "Soy gallo de Sinaloa jugado en varios palenques": Production and Consumption of Narco-music in a Transnational World by Cesar Burgos Davila and Helena Simonett
• 6. Yo lo digo sin tristezas (I say it without lament): Transnational Migration, Postnational Voicings, and the Aural Politics of Nation by Alex E. Chavez
• 7. Reclaiming 'the Border' in Texas-Mexican Conjunto Heritage and Cultural Memory by Cathy Ragland
• 8. Sounding Cumbia: Past and Present in a Globalized Mexican Periphery by Jesus A. Ramos-Kittrell
• 9. Southern California Chicanx Music and Culture: Affective Strategies within a Browning Temporal System of Global Contradictions by Peter J. Garcia
• 10. Listening from 'The Other Side': Music, Border Studies and The Limits of Identity Politics by Alejandro L. Madrid