Book
$58.75Special import
Contents
- Acknowledgements
- Introduction
- Lines
- Music and Time
- Enacting Musical Time
- 1. MEANING
- Musical Objects
- Objective Time
- Lived Time
- Significance
- Affordances
- 2. AFFORDANCES
- Breathing
- Becoming Music (Behave So Strangely)
- Musical Affordances
- Situation Semantics
- Cultural Information
- Situation Semantics and Musical Affordances
- Temporal Affordances
- Musical Affordances of Breath
- 3. BODY
- Embodied Cognition
- Temporal Bodies
- Kinesthetic Knowledge
- Kinesthetic Knowledge in Music Analysis
- 4. FLESH
- The Body's I Can
- From I Can to Time
- The Flesh of Time
- Temporal Objects and the Flesh of Music
- 5. AFFECTIVITY
- Auto-Affection
- Enacting Lived Time
- Louis Andriessen's De Tijd
- Eternity in Augustine's Confessions
- Temporal and Affective Dynamics of Movement
- Enacting Chronal Anxiety
- 6. VERTICALITY
- Vertical Time
- Eternal Return
- Affect
- Hosokawa's Vertical Time
- Malleable Musical Form
- Works Cited
- Index