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Playing for Keeps: Improvisation in the Aftermath

Playing for Keeps: Improvisation in the Aftermath

  • Editor: Fischlin, Daniel
  • Editor: Porter, Eric
A major academic achievement, Playing for Keeps: Improvisation In The Aftermath is an enlightening examination of different manifestations of improvisation, their transforming possibilities,... More…

Book

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Contents

  • Acknowledgments ix
  • Playing for Keeps: An Introduction / Daniel Fischlin and Eric Porter 1
  • 1. manifesto / Matana Roberts 25
  • 2. The Exhibition of Vandalizim: Improvising Healing, Politics, and Film in South Africa / Stephanie Vos 29
  • 3. The Rigors of Afro/Canarian Jazz: Sounding Peripheral Vision with Severed Tongues / Mark Lomanno 55
  • 4. "Opening Up a Space That Maybe Wouldn't Exist Otherwise" / Holding It Down in the Aftermath / Vijay Iyer in conversation with Daniel Fischlin and Eric Porter 81
  • 5. Experimental and Improvised Norths: The Sonic Geographies of Tanya Tagaq's Collaborations with Derek Charke and the Kronos Quartet / Kate Galloway 94
  • 6. Nina Simone: CIVIL JAZZ! / Randy DuBurke 121
  • 7. Free Improvised Music in Postwar Beirut: Differential Sounds, Intersectarian Collaborations, and Critical Collective Memory / Rana El Kadi 129
  • 8. Street Concerts and Sexual Harassment in Post-Mubarak Egypt: Tarab as Affective Politics / Darci Sprengel 160
  • 9. Improvisation, Grounded Humanity, and Witnessing in Palestine: An Interview with Al-Mada's Odeh Turjman and Reem Abdul Hadi / Daniel Fischlin 191
  • 10. Silsulim (Improvised "Curls") in the Vocal Performance of Israeli Popular Music: Identity, Power, and Politics / Moshe Morad 250
  • 11. Three Moments in Ki Ho`alu (Hawaiian Slack Key Guitar): Improvising as a Kanaka Maoli (Native Hawaiian) Adaptive Strategy / Kevin Fellezs 275
  • 12. From Prepeace to Postconflict: The Ethics of (Non) Listening and Cocreation in a Divided Society / Sara Ramshaw and Paul Stapleton 300
  • Contributors 325
  • Index 331