The Oxford Handbook of Music and Virtuality

Contents

• List of Figures and Tables
• Companion Website and List of Musical Examples
• List of Contributors
• Acknowledgements
• Preface
• Andy Bennett
• Introduction
• Sheila Whiteley
• PART 1 The Pre-Digital Virtual
• Introduction
• 1 In Seventeenth Heaven: Virtual Listening and its Discontents
• Christian Lloyd
• 2 Nothing is Real: The Beatles as Virtual Performers
• Philip Auslander and Ian Inglis
• 3 Tom, Jerry and the Virtual Virtuoso
• Sheila Whiteley
• 4 Bring that Beat Back: Sampling as Virtual Collaboration
• Rowan Oliver
• 5 An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa
• Paul Carr
• PART 2 Vocaloids, Holograms and Virtual Pop Stars
• Introduction
• 6 Vocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry
• Louise H. Jackson and Mike Dines
• 7 Hatsune Miku and Japanese Virtual Idols
• Rafal Zaborowski
• 8 Hatsune Miku, 2.0Pac and Beyond: Rewinding and Fast-Forwarding the Virtual Pop Star
• Thomas Conner
• 9 Feel Good with Gorillaz and Reject False Icons: The Fantasy Worlds of the Virtual Group and their Creators
• Shara Rambarran
• PART 3 Second Life
• Introduction
• 10 Avatar Rockstars: Constructing Musical Personae in Virtual Worlds
• Trevor S. Harvey
• 11 Performing Live in Second Life
• Justin Gagen and Nicholas Cook
• 12 Live Opera Performance in Second Life: Challenging Producers, Performers and the Audience
• Marco Antonio Chavez-Aguayo
• PART 4 Authorship, Creativity and Musicianship
• Introduction
• 13 We Are, The Colors: Collaborative Narration and the Experimental Construction of a Non-Existent Band
• Alon Ilsar and Charles Fairchild
• 14 Music in Perpetual Beta: Composition, Remediation, and 'Closure'
• Paul Draper and Frank Millward
• 15 Justin Bieber Featuring Slipknot: Consumption as Mode of Production
• Ragnhild Brovig-Hanssen
• 16 Human After All: Understanding Negotiations of Artistic Identity through the Music of Daft Punk
• Cora S. Palfy
• 17 Virtual Bands: Recording Music Under the Big Top
• David Tough
• PART 5 Communities and the World-Wide-Web
• Introduction
• 18 Uploading to Carnegie Hall: The First YouTube Symphony Orchestra
• Shzr Ee Tan
• 19 The Listener as Remixer: Mix Stems in Online Fan Community and Competition Contexts
• Samantha Bennett
• 20 Sample Sharing: Virtual Laptop Ensemble Communities
• Benjamin O'Brien
• 21 Stone Tapes: Ghost Box, Nostalgia, and Post-War England
• David Pattie
• 22 From Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory
• Adam Trainer
• 23 Bands in Virtual Spaces, Social Networking and Masculinity
• Danijela Bogdanovic
• PART 6 Sonic Environments and Musical Experience
• Introduction
• 24 From Environmental Sound To Virtual Environment Enhancing: Consuming Ambiance as Listening Practice
• Thomas Brett
• 25 App Music
• Jeremy Wade Morris
• 26 Alternative Virtuality. Independent Micro Labels Facing the Ideological Challenge of Virtual Music Culture: The Case of Finnish Ektro Records
• Juho Kaitajarvi-Tiekso
• 27 Everybody Knows There is Here: Surveying the Indexi-Local in CBC Radio 3
• Michael Audette-Longo
• 28 Mind Usurps Program: Virtuality and the New Machine Aesthetic of Electronic Dance Music
• Benjamin Halligan
• PART 7 Participatory Culture and Fundraising
• Introduction
• 29 Virtual Music, Virtual Money: The Impact of Crowdfunding Models on Creativity, Authorship and Identity
• Mark Thorley
• 30 With a Little Help From My Friends, Family and Fans. DIY, Participatory Culture and Social Capital in Music Crowdfunding
• Francesco D'Amato
• 31 Music and Crowdfunded Websites: Digital Patronage and Artist-Fan Interactivity
• Justin Williams and Ross Wilson
• PART 8 Authors' Blog: Final Thoughts on Music and Virtuality
• Ed. Paul Carr
• PART 9 Glossary
• Ed. Shara Rambarran
• Index