The Oxford Handbook of Musical Repatriation

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Acknowledgments
About the Editors
List of Contributors
About the Companion Website
Pathways and Trajectories: A Guide to the Organization and Use of This Book
Pathways toward Open Dialogues about Sonic Heritage: An Introduction to The Oxford Handbook of Musical Repatriation
Frank Gunderson and Bret Woods
1. Musical Traces' Retraceable Paths: The Repatriation of Recorded Sound
Robert C. Lancefield
2. Reflections on Reconnections: When Human and Archival Modes of Memory Meet
Daniel B. Reed
3. Music Archives and Repatriation: Digital Return of Hugh Tracey's Chemirocha Recordings in Kenya
Diane Thram
4. Rethinking Repatriation and Curation in Newfoundland: Archives, Angst, and Opportunity
Beverly Diamond and Janice Esther Tulk
5. Repatriating the Alan Lomax Haitian Recordings in Post-quake Haiti
Gage Averill
6. Where Dead People Walk: Fifty Years of Archives to Q'eros, Peru
Holly Wissler
7. Audiovisual Archives: Bridging Past and Future
Judith Gray
8. Archives, Repatriation, and the Challenges Ahead
Anthony Seeger
9. Returning Voices: Repatriation as Shared Listening Experiences
Brian Diettrich
10. Boulders, Fighting on the Plain: A World-War-One-Era Song Repatriated and Remembered in Western Tanzania
Frank Gunderson
11. We Want Our Voices Back: Ethical Dilemmas in the Repatriation of Recordings
Grace Koch
12. Sharing John Blacking: Recontextualizing Children's Music and Reimagining Musical Instruments in the Repatriation of a Historical Collection
Andrea Emberly and Jennifer C. Post
13. Autism Doesn't Speak, People Do: Musical Thinking, Chat Messaging, and Autistic Repatriation
Michael B. Bakan
14. Musical Repatriation as Method
Michael Iyanaga
15. Teachers as Agents of the Repatriation of Music and Cultural Heritage
Patricia Shehan Campbell and J. Christopher Roberts
16. Each in Our Own Village: Creating Sustainable Interactions between Custodian Communities and Archives
Catherine Ingram
17. Radio Afghanistan Archive Project: Averting Repatriation, Building Capacity
Hiromi Lorraine Sakata, Laurel Sercombe, and John Vallier
18. Bringing Radio Haiti Home: The Digital Archive as Devoir de Memoire
Craig Breaden and Laura Wagner
19. Strategies for Cultural Repatriation: Bali 1928 Music Recordings and 1930s Films
Edward Herbst
20. Cinematic Journeys to the Source: Musical Repatriation to Africa in Film
Lisa Osunleti Beckley-Roberts
21. Pour preserver la memoire: Algerian Sha'b? Musicians as Repatriated Subjects and Agents of Repatriation
Christopher Orr
22. Repatriating an Egyptian Modernity: Transcriptions and the Rise of Coptic Women's Song Activism
Carolyn M. Ramzy
23. Memory, Trauma, and the Politics of Repatriating Bikindi's Music in the Aftermath of the Rwandan Genocide
Jason McCoy
24. New Folk Music as Attempted Repatriation in Romania
Maurice Mengel
25. The Politics of Repatriating Civil War Brass Music
Elizabeth Whittenburg Ozment
26. Radio Archives and the Art of Persuasion
Carlos Odria
27. The Banning of Samoa's Repatriated Mau Songs
Richard Moyle
28. Bells in the Cultural Soundscape: Nazi-Era Plunder, Repatriation, and Campanology
Carla Shapreau
29. Digital Repatriation: Copyright Policies, Fair Use, and Ethics
Alex Perullo
30. Mountain Highs, Valley Lows: Institutional Archiving of Gospel Music in the Twenty-first Century
Birgitta Johnson
31. The Songs Are Alive: Bringing Frances Densmore's Recordings Back Home to Ojibwe Country
Lyz Jaakola and Timothy B. Powell
32. Moving Songs: Repatriating Audiovisual Recordings of Aboriginal Australian Dance and Song (Kimberley Region, Northwestern Australia)
Sally Treloyn, Matthew Dembal Martin, and Rona Googninda Charles
33. After the Archive: An Archaeology of Bosnian Voices
Peter McMurray
34. Reclaiming Ownership of the Indigenous Voice: The Hopi Music Repatriation Project
Trevor Reed
35. Yolngu Music, Indigenous Knowledge Centres, and the Emergence of Archives as Contact Zones
Peter G. Toner
36. Traditional Re-Appropriation: Modes of Access and Digitization in Irish Traditional Music
Bret Woods
37. Claiming Ka Mate: M?ori Cultural Property and the Nation's Stake
Lauren E. Sweetman and Kirsten Zemke
38. Repatriation and Decolonization: Thoughts on Ownership, Access, and Control
Robin R. R. Gray
Index

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The Oxford Handbook of Musical Repatriation is a significant edited volume that critically explores issues surrounding musical repatriation, chiefly of recordings from audiovisual archives. The Handbook provides a dynamic and richly layered collection of stories and critical questions for anyone engaged or interested in repatriation or archival work. Repatriation often is overtly guided by an ethical mandate to "return" something to where it belongs, by such means as working to provide reconnection and Indigenous control and access to cultural materials. Essential as these mandates can be, this remarkable volume reveals dimensions to repatriation beyond those which can be understood as simple acts of "giving back" or returning an archive to its "homeland." Musical repatriation can entail subjective negotiations involving living subjects, intangible elements of cultural heritage, and complex histories, situated in intersecting webs of power relations and manifold other contexts. The forty-eight expert authors of this book's thirty-eight chapters engage with multifaceted aspects of musical repatriation, situating it as a concept encompassing widely ranging modes of cultural work that can be both profoundly interdisciplinary and embedded at the core of ethnographic and historical scholarship. These authors explore a rich variety of these processes' many streams, making the volume a compelling space for critical analysis of musical repatriation and its wider significance. The Handbook presents these chapters in a way that offers numerous emergent perspectives, depending on one's chosen trajectory through the volume. From retracing the paths of archived collections to exploring memory, performance, research goals, institutional power, curation, preservation, pedagogy and method, media and transmission, digital rights and access, policy and privilege, intellectual property, ideology, and the evolving institutional norms that have marked the preservation and ownership of musical archives-The Oxford Handbook of Musical Repatriation addresses these key topics and more in a deep, richly detailed, and diverse exploration.

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