Electroacoustic Music in East Asia

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Introduction
Marc Battier and Kenneth Fields
1. Twenty Years of Japanese Electroacoustic Music: Trends in 1990s and JSEM
Mikako Mizuno
2. Sneezing Toward the Sun: The Human Voice in the Musique concrete of Toru Takemitsu
Toshie Kakinuma
3. The Creative Quest into Temple Bell Sonorities: Works of Musique Concrete by Toshiro Mayuzumi
Yoshihiko Shimizu
4. Japanese Electroacoustic and Japanese Instruments
Hiromi Ishii
5. Electroacoustic Music Linked with Information Processing Research in Japan
Naotoshi Osaka
6. Mayuzumi's Electronic Studies
Cathy L. Cox
7. The Principles of Electronic Music (1956)
Toshiro Mayuzumi (translated by Cathy L. Cox)
8. Electronic Music 7 Variations (1957)
Toshiro Mayuzumi (translated by Cathy L. Cox)
9. The Power of Arterial Language in Constructing a Musical Vocabulary of One's Own: Inheriting the Inspiration and Gene of Innovation in Electroacoustic Music from Chinese Culture
Xiaofu Zhang
10. Characteristics of Early Electronic Music Composition in China's Mainland
Qiuxiao Li
11. Exploration and Innovation, the Chinese Model of the Musicacoustica-Beijing Festival
Hefei Wang
12. Taiwanese Women Composers of Mixed Music with Their Cultural Heritage
Lin-Ni Liao
13. Excavating the History of Electroacoustic Music in Korea, 1966-2016
Hee Seng Kye and Jongwoo Yim

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This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan).

The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics. How electronic music attracted the interest of composers from East Asia is quite varied – while composers and artists in Japan delved into new sounds and music techniques and fostered electronic music quite early on; political, sociological, and artistic conditions pre-empted the adoption of electronic music techniques in China until the last two decades of the twentieth century. Korean and Taiwanese perspectives contribute to this rare opportunity to re-examine, under a radically different set of cultural preconditions, the sweeping musical transformation that similarly consumed the West. Special light is shed on prominent composers, such as Sukhi Kang, Toshiro Mayuzumi, Toru Takemitsu, and Xiaofu Zhang. Recent trends and new directions which are observed in these countries are also addressed, and the volume shows how the modern fusion of music and technology is triangulated by a depth of culture and other social forces.

This book was originally published as a special issue of Contemporary Music Review.

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